English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
Poor, poor creature. She was sober to-night, sitting over the fire with
her face battered into shapelessness; and now that her fury had had its
way, she bitterly repented invoking the help of the law against her
husband. What use? what use? Perhaps he had now abandoned her for good,
and it was certain that the fear of him was the only thing that ever
checked her on the ruinous road she would so willingly have quitted.
But for the harm to himself, the only pity was he had not taken her
life outright. She knew all the hatefulness of her existence; she knew
also that only the grave would rescue her from it. The struggle was too
unequal between Mrs. Candy with her appeal to Providence, and Mrs.
Green with the forces of civilisation at her back.
Pennyloaf speedily returned with a ha’p’orth of milk, a pennyworth of
tea, and seven pounds (also price one penny) of coals in an apron. It
was very seldom indeed that the Candys had more of anything in their
room than would last them for the current day. There being no kettle,
water was put on to boil in a tin saucepan; the tea was made in a jug.
Pennyloaf had always been a good girl to her mother; she tended her as
well as she could to-night; but there was no word of affection from
either. Kindly speech was stifled by the atmosphere of Shooter’s
Gardens.
Having drunk her tea, Mrs. Candy lay down, as she was, on the already
extended mattress, and drew the ragged coverings about her. In half an
hour she slept.
Pennyloaf then put on her hat and jacket again and left the house. She
walked away from the denser regions of Clerkenwell, came to Sadler’s
Wells Theatre (gloomy in its profitless recollection of the last worthy
manager that London knew), and there turned into Myddelton Passage. It
is a narrow paved walk between brick walls seven feet high; on the one
hand lies the New River Head, on the other are small gardens behind
Myddelton Square. The branches of a few trees hang over; there are
doors, seemingly never opened, belonging one to each garden; a couple
of gas-lamps shed feeble light. Pennyloaf paced the length of the
Passage several times, meeting no one. Then a policeman came along with
echoing tread, and eyed her suspiciously. She had to wait more than a
quarter of an hour before Bob Hewett made his appearance. Greeting her
with a nod and a laugh, he took up a leaning position against the wall,
and began to put questions concerning the state of things at her home.
‘And what’ll your mother do if the old man don’t give her nothing to
live on?’ he inquired, when he had listened good-naturedly to the
recital of domestic difficulties.
‘Don’t know,’ replied the girl, shaking her head, the habitual surprise
of her countenance becoming a blank interrogation of destiny.
Bob kept kicking the wall, first with one heel, then with the other. He
whistled a few bars of the last song he had learnt at the music-hall.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account