English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
From that day the character of her suffering was altered; it became
less womanly, it defied weakness and grew to a fever of fierce,
unscrupulous rebellion. Whenever she thought of Sidney Kirkwood, the
injury he was inflicting upon her pride rankled into bitter resentment,
unsoftened by the despairing thought of self-subdual which had at times
visited her sick weariness. She bore her degradations with the sullen
indifference of one who is supported by the hope of a future revenge.
The disease inherent in her being, that deadly outcome of social
tyranny which perverts the generous elements of youth into mere seeds
of destruction, developed day by day, blighting her heart, corrupting
her moral sense, even setting marks of evil upon the beauty of her
countenance. A passionate desire of self-assertion familiarised her
with projects, with ideas, which formerly she had glanced at only to
dismiss as ignoble. In proportion as her bodily health failed, the
worst possibilities of her character came into prominence. Like a
creature that is beset by unrelenting forces, she summoned and surveyed
all the craft faculties lurking in the dark places of her nature;
theoretically she had now accepted every debasing compact by which a
woman can spite herself on the world’s injustice. Self-assertion; to be
no longer an unregarded atom in the mass of those who are born only to
labour for others; to find play for the strength and the passion which,
by no choice of her own, distinguished her from the tame slave.
Sometimes in the silence of night she suffered from a dreadful need of
crying aloud, of uttering her anguish in a scream like that of
insanity. She stifled it only by crushing her face into the pillow
until the hysterical fit had passed, and she lay like one dead.
A fortnight after his first visit Mr. Scawthorne again presented
himself, polite, smiling, perhaps rather more familiar. He stayed
talking for nearly an hour, chiefly of the theatre. Casually he
mentioned that Grace Rudd had got her engagement—only a little part in
a farce. Suppose Clara came to see her play some evening? Might he take
her? He could at any time have places in the dress-circle.
Clara accepted the invitation. She did so without consulting Mrs.
Tubbs, and when it became necessary to ask for the evening’s freedom,
difficulties were made. ‘Very well,’ said Clara, in a tone she had
never yet used to her employer, ‘then I shall leave you.’ She spoke
without a moment’s reflection; something independent of her will seemed
to direct her in speech and act. Mrs. Tubbs yielded.
Public-domain text, read in full here on John Shaqi.
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