English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
They were going to visit Samuel’s parents, who lived at Greenwich.
Bessie had not yet enjoyed an opportunity of exhibiting her first-born
to the worthy couple; she had, however, written many and long letters
on the engrossing subject, and was just a little fluttered with natural
anxiety lest the infant’s appearance or demeanour should disappoint the
expectations she had excited. Samuel found his delight in foretelling
the direst calamities.
‘Don’t say I didn’t advise you to draw it mild,’ he remarked whilst
breakfasting, when Bessie had for the tenth time obliged him to look
round and give his opinion on points of costume. ‘Remember it was only
last week you told them that the imp had never cried since the day of
his birth, and I’ll bet you three half-crowns to a bad halfpenny he
roars all through to-night.’
‘Hold your tongue, Sam, or I’ll throw something at you!’
Samuel had just appeased his morning hunger, and was declaring that the
day promised to be the hottest of the year, such a day as would bring
out every vice inherent in babies, when a very light tap at the door
caused Bessie to abandon her intention of pulling his ears.
‘That’s Jane,’ she said. ‘Come in!’
The Jane who presented herself was so strangely unlike her namesake who
lay ill at Mrs. Peckover’s four months ago, that one who had not seen
her in the interval would with difficulty have recognised her. To begin
with, she had grown a little; only a little, but enough to give her the
appearance of her full thirteen years. Then her hair no longer
straggled in neglect, but was brushed very smoothly back from her
forehead, and behind was plaited in a coil of perfect neatness; one
could see now that it was soft, fine, mouse-coloured hair, such as
would tempt the fingers to the lightest caress. No longer were her
limbs huddled over with a few shapeless rags; she wore a full-length
dress of quiet grey, which suited well with her hair and the pale tones
of her complexion. As for her face—oh yes, it was still the good,
simple, unremarkable countenance, with the delicate arched eyebrows,
with the diffident lips, with the cheeks of exquisite smoothness, but
so sadly thin.
Public-domain text, read in full here on John Shaqi.
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