English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
As the dusk descends there is a general setting of the throng towards
the open air; all the pathways swarm with groups which have a tendency
to disintegrate into couples; universal is the protecting arm. Relief
from the sweltering atmosphere of the hours of sunshine causes a
revival of hilarity; those who have hitherto only bemused themselves
with liquor now pass into the stage of jovial recklessness, and others,
determined to prolong a flagging merriment, begin to depend upon their
companions for guidance. On the terraces dancing has commenced; the
players of violins, concertinas, and penny-whistles do a brisk trade
among the groups eager for a rough-and-tumble valse; so do the
pickpockets. Vigorous and varied is the jollity that occupies the
external galleries, filling now in expectation of the fireworks;
indescribable the mingled tumult that roars heavenwards. Girls linked
by the half-dozen arm-in-arm leap along with shrieks like grotesque
maenads; a rougher horseplay finds favour among the youths,
occasionally leading to fisticuffs. Thick voices bellow in fragmentary
chorus; from every side comes the yell, the cat-call, the ear-rending
whistle; and as the bass, the never-ceasing accompaniment, sounds
myriad-footed tramp, tramp along the wooden flooring. A fight, a scene
of bestial drunkenness, a tender whispering between two lovers, proceed
concurrently in a space of five square yards. Above them glimmers the
dawn of starlight.
For perhaps the first time in his life Bob Hewett has drunk more than
he can well carry. To Pennyloaf’s remonstrances he answers more and
more impatiently: ‘Why does she talk like a bloomin’ fool?—one doesn’t
get married every day.’ He is on the look-out for Jack Bartley now;
only let him meet Jack, and it shall be seen who is the better man.
Pennyloaf rejoices that the hostile party are nowhere discoverable. She
is persuaded to join in a dance, though every moment it seems to her
that she must sink to the ground in uttermost exhaustion. Naturally she
does not dance with sufficient liveliness to please Bob; he seizes
another girl, a stranger, and whirls round the six-foot circle with a
laugh of triumph. Pennyloaf’s misery is relieved by the beginning of
the fireworks. Up shoot the rockets, and all the reeking multitude
utters a huge ‘Oh’ of idiot admiration.
Public-domain text, read in full here on John Shaqi.
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