The netherworld of Mendip : $b explorations in the great caverns of Somerset, Yorkshire, Derbyshire, and elsewhereBaker, Ernest A. (Ernest Albert)
Science
The netherworld of Mendip : $b explorations in the great caverns of Somerset, Yorkshire, Derbyshire, and elsewhere
Baker, Ernest A. (Ernest Albert)
Caves; Mendip Hills (England)
like the same extent of brilliant subterranean scenery anywhere else in
these islands.
The tourist portion of the cavern, a fraction of the whole, but yet
a considerable extent of underground passages, is deservedly much
frequented. The spacious vault, nicknamed the "House of Commons," vies
in dimensions and dignity with those in the Peak of Derbyshire, but
it is far surpassed by the "House of Lords." Seventeen massy columns
of pure white stalactite, surmounting enormous cones of terraced
stalagmite, tower from floor to roof of this impressive dome, some
140 feet in span and 70 feet high. The grandeur of its height is lost
somewhat through the mountain of fallen blocks that rises from the
entrance almost to the apex of the roof. Behind this vast accumulation
a sort of ambulatory runs round under the walls, opening here and there
into side chapels and irregular cavities, all bountifully adorned with
the fairy-like work of the Limestone carbonate. The so-called "Tower of
Babel" is a majestic pillar rising from the summit of a pyramidal mass
of stalagmite, 40 feet in circumference, that being also the measure
of its total height. A crowd of other Limestone freaks, some aptly and
some incongruously nicknamed, and many extremely beautiful, are found
in this chamber.
The cavities and passages that lie to the north-east of the first great
chamber are not often visited. They start from "Sadlier's Cave," which
is not large but bewilderingly picturesque, and contains a superb
pillar, "Lot's Wife," almost of the prodigious size of the "Tower."
The "Kingston Gallery" is a straight rift, nearly 300 feet long, but
only two or three feet wide, with sheets of snowy white sweeping down
the walls, and breaking into whole garlands of scrolls and pennons and
curtains, which in places have been thrown right across the gallery,
dividing it into lofty cells. Manholes, actually, had to be cut through
these diaphanous partitions to create a passage. From the cave at the
end, a lower passage, the Sand Cave, comes back in a parallel direction
to the point of junction, and from the quantities of fine sand on
its bed, was evidently an important stream-course after the Kingston
Gallery was drained of its waters. It has one unique feature, the
succession of parallel rifts, called the "Closets," which are connected
together by rents in their dividing walls. Some of these are extremely
narrow, and by candlelight it is impossible to see any limit to their
height, depth, or length. Similar widenings of the master joints and
degradation of the Limestone separating them, are a special feature of
the Mitchelstown Cave, and the key to its ground-plan, with its maze of
right-angles.
Public-domain text, read in full here on John Shaqi.
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