"Wokey Hole," says Bishop Percy, "has given birth to as many wild, fanciful stories as the Sybil's (sic) Cave in Italy. Through a very narrow entrance it opens into a large vault, the roof whereof, either on account of its height or the thickness of the gloom, cannot be discovered by the light of torches. It goes winding a great way underground, is crost by a stream of very cold water, and is all horrid with broken pieces of rock: many of these are evident petrifactions, which, on account of their singular forms, have given rise to the fables alluded to in this poem," the story, that is, of the blear-eyed hag who was turned into stone. This quaint description is true in every particular. The first cavern, or the "Witch's Kitchen," has a weird similitude to Gothic architecture. Arch springs from arch up to the lofty summit, and the walls and vaulting are full of canopied recesses, with wild foliations of glistening calcite wreathed from niche to niche. Below us, as we enter, a broad deep pool stretches away into darkness. Could we follow the gently moving current in a boat, we should enter another great vault, whose existence the ordinary visitor never suspects. There, in a small passage beyond the water, Mr. Balch discovered human remains. Whilst we peered into the gloom, the limelight was burning up, and now it flashed across the cavern to where the black scowling head of the Witch overshadows terraces, basins, and wild imageries of spectral stalagmite. "A glow! a gleam! A broader beam Startles those realms of endless night, While bats whirl round on slanting wing, Astonished at this awful thing. The rocky roof's reflected rays Are caught up in the waterways, And every jewelled stalactite Is bathed in that stupendous light, One moment only; then the caves Are plunged again in Stygian waves; The fairy dream has passed away And night resumes her ancient sway."