Most of us have vague ideas about small portions of time; so much so,
that it is rather surprising to find to how many intelligent people, a
second, as seen on the clock face, is its least conceivable interval.
Yet a second has not only a beginning, middle, and end, as much as a
year has, but can, in thought at least, be divided into just as many
numbered parts as a year can. Without entering on a disquisition about
this, let us try to show by some familiar thing that we can at any rate
not only divide a second in imagination into, let us say, a hundred
parts, but that we can observe distinctly what is happening in such a
short time, and make a picture of it,--a picture which shall be begun
and completed while this hundredth of a second lasts.
Every one has fallen through at least some such a little distance as
comes in jumping from a chair to the floor, and most of us, it is safe
to say, have a familiar impression of the fact that it takes, at any
rate, less than a second in such a case from the time the foot leaves
its first support till it touches the ground. Plainly, however large or
small the fall may be, each fraction of an inch of it must be passed
through in succession, and if we suppose the space to be divided,
for instance, into a hundred parts, we must divide in thought the
second into at least as many, since each little successive space was
traversed in its own little interval of time, and the whole together
did not make a second. We can even, as a matter of fact, very easily
calculate the time that it will take anything which has already fallen,
let us say one foot, to fall an inch more; and we find this, in the
supposed instance, to be almost exactly one one-hundredth of a second.
On page 243 is a reproduction of a photograph from Nature, of a man
falling freely through the air. He has dropped from the grasp of the
man above him, and has already fallen through some small distance,--a
foot or so. If we suppose it to be a foot, since we can see that the
man’s features are not blurred, as they would undoubtedly have been
had he moved even much less than an inch while this picture was being
taken, it follows, from what has been said, that the making of the
whole picture--landscape, spectators, and all--occupied not _over_ one
one-hundredth of a second.
We have given this view of “the falling man” because, rightly
understood, it thus carries internal evidence of the limit of time in
which it could have been made; and this will serve as an introduction
to another picture, where probably no one will dispute that the time
was still shorter, but where we cannot give the same kind of evidence
of the fact.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account