In the department of nebular astronomy, photography has worked an equal
change. The writer well remembers the weeks he has himself spent in
drawing or attempting to draw nebulæ,--things often so ghost-like as
to disappear from view every time the eye turned from the white paper,
and only to be seen again when it had recovered its sensitiveness by
gazing into the darkness. The labors of weeks were, literally, only
represented by what looked like a stain on the paper; and no two
observers, however careful, could be sure that the change between
two drawings of a nebula at different dates was due to an alteration
in the thing itself, or in the eye or hand of the observer, though
unfortunately for the same reason it is impossible fully to render the
nebulous effect of the photograph in engraving. We cannot with our
best efforts, then, do full justice to the admirable one of Orion, on
page 239, which we owe to the particular kindness of Mr. Common, of
Ealing, England, whose work in this field is as yet unequalled. The
original enlargement measures nearly two square feet in area, with
fine definition. It is taken by thirty-nine minutes’ exposure, and its
character can only be indicated here; for it is not too much to say
here of this original also, that as many years of the life of the most
skilled artist could not produce so trustworthy a record of this wonder.
The writer remembers the interest with which he heard Dr. Draper,
not long before his lamented death, speak of the almost incredible
sensitiveness of these most recent photographic processes, and his
belief that we were fast approaching the time when we should photograph
what we could not even see. That time has now arrived. At Cambridge,
in Massachusetts, and at the Paris Observatory, by taking advantage
of the cumulative action we have referred to, and by long exposures,
photographs have recently been taken showing stars absolutely invisible
to the telescope, and enabling us to discover faint nebulæ whose
previous existence had not been suspected; and when we consider that an
hour’s exposure of a plate, now not only secures a fuller star-chart
than years of an astronomer’s labor, but a more exact one, that the
art is every month advancing perceptibly over the last, and that it is
already, as we may say, not only making pictures of what we see, but
of what we cannot see even with the telescope,--we have before us a
prospect whose possibilities no further words are needed to suggest.
Public-domain text, read in full here on John Shaqi.
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