The New Eldorado: A Summer Journey to AlaskaBallou, Maturin M. (Maturin Murray)
History
The New Eldorado: A Summer Journey to Alaska
Ballou, Maturin M. (Maturin Murray)
Alaska -- Description and travel; West (U.S.) -- Description and travel
Cremation is the Thlinkit’s favorite mode of disposing of his dead. The
bodies of slaves and “witches” are disposed of with great secrecy. They
are not considered worth burial, and are sometimes cast into the sea,
but water burial is infrequent. The bodies of chiefs lie in state
several days; the people observe certain rites; then the body is
cremated and the ashes are encased in the base of a totem erected to his
memory. Shamans (doctors) are never cremated. After lying in state four
days, one day in each corner of the cabin, the body is taken out of the
house through the smokestack, or some opening other than the door, and
conveyed some distance to a deadhouse built for this particular
occupant. There in its last resting-place the body is seated in an
upright position. The paraphernalia of his rank and office, some
blankets and household effects to add to his comfort in the spirit-land,
are entombed with the remains.
Another occasion for indulging in the potlatch is when some one is
desirous of securing extraordinary influence in his tribe, generally a
chief seeking to establish superior position or popularity over some
rival. Natives have been known to save their means for years, augmenting
them by industry and self-denial, in order finally to give a grand and
unequaled feast of this character. When the time arrives not only are
all the host’s own tribe invited, but those of the next nearest tribes
not akin to his own. Such a festival often lasts for a whole week, until
the last blanket of the giver is sacrificed. These strange festivals, we
were told, are fast passing into disuse, at least among those tribes
brought most in contact with the whites, though on a smaller scale they
do still exist all over the southern region of Alaska.
Public-domain text, read in full here on John Shaqi.
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