There were two gentlemen in Antivari whose actions gave me unalloyed delight. One of them, so I was told, was the head of the local anti-Serbian faction; the other, a human arsenal with weapons sprouting from his person like leaves from an artichoke, was the chief of a notorious band of _comitadjis_, as the Balkan guerrillas are called. They walked up and down the main street of Antivari, arms over each other's shoulders, heads close together, lost in conversation, but glancing quickly over their shoulders every now and then to see if they were in danger of being overheard, exactly like the plotters in a motion-picture play. From the earnestness of their conversation, the obvious awe in which they were held by the townspeople, and the suspicious looks cast in their direction by the Serbian gendarmes, I gathered that in the near future things were going to happen in that region. Approaching them, I haltingly explained, in the few words of Serbian at my command, that I was an American and that I wished to photograph them. Upon comprehending my request they debated the question for some moments, then shook their heads decisively. It was evident that, in view of what they had in mind, they considered it imprudent to have their pictures floating around as a possible means of identification. But while they were discussing the matter I took the liberty, without their knowledge, of photographing them anyway. It was as well, perhaps, that they did not see me do it, for the _comitadji_ chieftain had a long knife, two revolvers, and four hand-grenades in his belt and a rifle slung over his shoulder.