In the meantime, Honor went downstairs chuckling. She entered the
drawing-room in the highest of spirits, paid her respects to Miss
Maitland, and found a seat close to the door. The musical part of the
performance, she ascertained, was to come first, and after coffee there
were to be recitations, and a dialogue in French. A neat programme had
been written out and was laid on the top of the piano, so that it could
be referred to by Vivian Holmes, who was conductress of the ceremonies.
It was late already, and the proceedings began immediately. The room
was crowded, and amongst the forty girls nobody seemed to have
particularly remarked Flossie's absence, and no enquiry was made for
her, until the close of the song that preceded her violin solo.
"Where is Flossie Taylor?" whispered Vivian then, with a look of marked
annoyance on her face. "Her _Serenade_ comes next. She ought to be
standing by the piano. Has anybody seen her? Please pass the question
on."
She paused a moment or two in great impatience; then, as no Flossie put
in an appearance, she turned to Meta Fletcher and May Turner, who
followed on the programme, and asked them to begin their duet.
"I can't wait for anybody," she remarked. "If Flossie isn't ready, I
must simply miss her out. We've almost too many pieces to get through
in the time."
The rest of the music went off successfully. Nobody broke down, or even
made a bad stumble, a subject of much self-congratulation to several
nervous performers and of great relief to Vivian, who, as monitress of
the house, always arranged the little concerts as a surprise for Miss
Maitland, the latter preferring that the girls should settle all
details amongst themselves, instead of leaving matters to a teacher.
Coffee was brought in at eight o'clock, after which the recitations
began immediately. At this state of the entertainment Honor felt
magnanimous. She did not want to involve Flossie in serious trouble,
so, slipping quietly away, she ran upstairs, unlocked the door of Miss
Maitland's bedroom, and released her prisoner.
The disappointed violinist emerged looking decidedly glum.
"It's a nasty, mean trick you've played me, Honor Fitzgerald!" she
burst out.
"No meaner than you played on Evelyn Fletcher--not half so bad, in my
opinion. I'm sorry to say you're too late for your solo. The music's
over long ago, and they're hard at work reciting Shakespeare at
present."
"Just what I expected! And it's all your fault!"
"You're very ungrateful! You ought to be most relieved to be let out
before Miss Maitland caught you," retorted Honor. "What an opportunity
to point a moral on the fatal consequences of vanity!" Then, as Flossie
flounced angrily away: "You've never thanked me for unlocking this door
yet. I thought we were supposed to cultivate manners at St. Chad's. If
Vivian asks where you've been, I suppose you'll tell her?"
"I certainly shan't! And you'll be a sneak if you do."
Public-domain text, read in full here on John Shaqi.
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