The New JerusalemChesterton, G. K. (Gilbert Keith)
Religion
The New Jerusalem
Chesterton, G. K. (Gilbert Keith)
Jerusalem; Jews -- Restoration; Palestine
But in order to judge this Jewish possibility, we must understand
more fully the nature of the Jewish problem. We must consider it
from the start, because there are still many who do not know that
there is a Jewish problem. That problem has its proof, of course,
in the history of the Jew, and the fact that he came from the East.
A Jew will sometimes complain of the injustice of describing
him as a man of the East; but in truth another very real
injustice may be involved in treating him as a man of the West.
Very often even the joke against the Jew is rather a joke against
those who have made the joke; that is, a joke against what they
have made out of the Jew. This is true especially, for instance,
of many points of religion and ritual. Thus we cannot help feeling,
for instance, that there is something a little grotesque about
the Hebrew habit of putting on a top-hat as an act of worship.
It is vaguely mixed up with another line of humour, about another
class of Jew, who wears a large number of hats; and who must not
therefore be credited with an extreme or extravagant religious zeal,
leading him to pile up a pagoda of hats towards heaven.
To Western eyes, in Western conditions, there really is something
inevitably fantastic about this formality of the synagogue.
But we ought to remember that we have made the Western conditions
which startle the Western eyes. It seems odd to wear a modern top-hat
as if it were a mitre or a biretta; it seems quainter still when the hat
is worn even for the momentary purpose of saying grace before lunch.
It seems quaintest of all when, at some Jewish luncheon parties,
a tray of hats is actually handed round, and each guest helps
himself to a hat as a sort of _hors d'oeuvre_. All this could
easily be turned into a joke; but we ought to realise that the joke
is against ourselves. It is not merely we who make fun of it,
but we who have made it funny. For, after all, nobody can
pretend that this particular type of head-dress is a part of that
uncouth imagery "setting painting and sculpture at defiance"
which Renan remarked in the tradition of Hebrew civilisation.
Nobody can say that a top-hat was among the strange symbolic utensils
dedicated to the obscure service of the Ark; nobody can suppose
that a top-hat descended from heaven among the wings and wheels
of the flying visions of the Prophets. For this wild vision the West
is entirely responsible. Europe has created the Tower of Giotto;
but it has also created the topper. We of the West must bear
the burden, as best we may, both of the responsibility and of the hat.
It is solely the special type and shape of hat that makes the Hebrew
ritual seem ridiculous. Performed in the old original Hebrew
fashion it is not ridiculous, but rather if anything sublime.
For the original fashion was an oriental fashion; and the Jews
are orientals; and the mark of all such orientals is the wearing
of long and loose draperies. To throw those loose draperies
Public-domain text, read in full here on John Shaqi.
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