The New JerusalemChesterton, G. K. (Gilbert Keith)
Religion
The New Jerusalem
Chesterton, G. K. (Gilbert Keith)
Jerusalem; Jews -- Restoration; Palestine
All this, I say, is a fact that must be faced, but there is another side
to the case, and it is this that the genius of Shakespeare discovered.
What he did do, and what the medieval satirist did not do, was to attempt
to understand Shylock; in the true sense to sympathise with Shylock
the money-lender, as he sympathised with Macbeth the murderer.
It was not to deny that the man was an usurer, but to assert
that the usurer was a man. And the Elizabethan dramatist does
make him a man, where the medieval satirist made him a monster.
Shakespeare not only makes him a man but a perfectly
sincere and self-respecting man. But the point is this:
that he is a sincere man who sincerely believes in usury.
He is a self-respecting man who does not despise himself
for being a usurer. In one word, he regards usury as normal.
In that word is the whole problem of the popular impression of the Jews.
What Shakespeare suggested about the Jew in a subtle and sympathetic way,
millions of plain men everywhere would suggest about him in a
rough and ready way. Regarding the Jew in relation to his ideas
about interest, they think either that he is simply immoral;
or that if he is moral, then he has a different morality.
There is a great deal more to be said about how far this is true,
and about what are its causes and excuses if it is true.
But it is an old story, surely, that the worst of all cures is
to deny the disease.
To recognise the reality of the Jewish problem is very vital for
everybody and especially vital for Jews. To pretend that there is no
problem is to precipitate the expression of a rational impatience,
which unfortunately can only express itself in the rather irrational
form of Anti-Semitism. In the controversies of Palestine and Syria,
for instance, it is very common to hear the answer that the Jew is no
worse than the Armenian. The Armenian also is said to be unpopular
as a money-lender and a mercantile upstart; yet the Armenian figures
as a martyr for the Christian faith and a victim of the Moslem fury.
But this is one of those arguments which really carry their own answer.
It is like the sceptical saying that man is only an animal,
which of itself provokes the retort, "What an animal!"
The very similarity only emphasises the contrast. Is it seriously
suggested that we can substitute the Armenian for the Jew in
the study of a world-wide problem like that of the Jews? Could we
talk of the competition of Armenians among Welsh shop-keepers,
or of the crowd of Armenians on Brighton Parade? Can Armenian usury
be a common topic of talk in a camp in California and in a club
in Piccadilly? Does Shakespeare show us a tragic Armenian towering
over the great Venice of the Renascence? Does Dickens show us
a realistic Armenian teaching in the thieves' kitchens of the slums?
When we meet Mr. Vernon Vavasour, that brilliant financier, do we
speculate on the probability of his really having an Armenian name
Public-domain text, read in full here on John Shaqi.
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