The New JerusalemChesterton, G. K. (Gilbert Keith)
Religion
The New Jerusalem
Chesterton, G. K. (Gilbert Keith)
Jerusalem; Jews -- Restoration; Palestine
so the old peddling and pedantic but intensely pious Jews hate
the Zionists as the instruments of new Western atheism of free thought.
Only I fear that when the storm breaks, such distinctions
are swept away.
The storm was certainly rising. Outside the Jaffa Gate the road
runs up steeply and is split in two by the wedge of a high building,
looking as narrow as a tower and projecting like the prow of a ship.
There is something almost theatrical about its position and stage
properties, its one high-curtained window and balcony, with a sort
of pole or flag-staff; for the place is official or rather municipal.
Round it swelled the crowd, with its songs and poems and
passionate rhetoric in a kind of crescendo, and then suddenly
the curtain of the window rose like the curtain of the theatre,
and we saw on that high balcony the red fez and the tall figure
of the Mahometan Mayor of Jerusalem.
I did not understand his Arabic observations; but I know
when a man is calming a mob, and the mob did become calmer.
It was as if a storm swelled in the night and gradually died away
in a grey morning; but there are perpetual mutterings of that storm.
My point for the moment is that the exasperations come chiefly from
the two extremes of the two great Semitic traditions of monotheism;
and certainly not primarily from those poor Eastern Christians
of whose fanaticism we have been taught to make fun.
From time to time there are gleams of the extremities of Eastern
fanaticism which are almost ghastly to Western feeling.
They seem to crack the polish of the dignified leaders of the Arab
aristocracy and the Zionist school of culture, and reveal a
volcanic substance of which only oriental creeds have been made.
One day a wild Jewish proclamation is passed from hand to hand,
denouncing disloyal Jews who refuse the teaching Hebrew; telling doctors
to let them die and hospitals to let them rot, ringing with the old
unmistakable and awful accent that bade men dash their children
against the stones. Another day the city would be placarded with
posters printed in Damascus, telling the Jews who looked to Palestine
for a national home that they should find it a national cemetery.
And when these cries clash it is like the clash of those two
crooked Eastern swords, that crossed and recrossed and revolved
like blazing wheels, in the vanguard of the marching mob.
Public-domain text, read in full here on John Shaqi.
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