India -- Description and travel; India -- Politics and government -- 1765-1947
The largest of the Nawab’s palaces, looking over the river, is
built in the French style of Louis XIV., but is not so old, having
been probably constructed by the present Nawab’s rich and prudent
father. Similarly, the large collection of knightly armour in the
entrance hall, recalling the onsets of Cressy and Agincourt, do not
suggest that the present owner’s ancestors were engaged in those
famous battles, as they would in an English millionaire’s house.
As a matter of fact, I believe the present Nawab’s grandfather or
great-grandfather came from peaceful Kashmir and established the
family fortunes originally on carpets. Since his time, while the
family fortunes have developed, the family taste has developed too,
and the enormous vaulted room into which I was shown was stuffed with
the expensive sweepings of European furniture shops. A huge armchair
in cut glass especially fascinated my gaze, and in spite of my haste
I had full time to be fascinated, because the Nawab was an hour and a
half late for his appointment, having been detained at another palace
where a wife dwelt to whom he was much attached—more attached, I was
told, than to any other.
So there was every excuse for his unpunctuality, and he made none,
but swept into the room with a smile of benign complacency. He was a
well-developed man of middle age—something of Falstaff’s prominent
personality, but preserving the childlike air of innocence and
candour which nursemaids call “engaging.” Round his large and serene
face, which smiled almost perpetually, hung a loose black fringe of
beard. He was dressed in little purple slippers, thin pyjamas of
white silk, a vest of exquisitely fine Dacca muslin “sprigged” (as
they say in the china trade) with delicate rosebuds, a copious turban
of the same, and a long purple coat or cloak of flowered brocade,
with a white border embroidered with passion flowers.
“My own design!” he exclaimed with justifiable pride, as soon as the
formal greetings were over, holding up the stuff for my inspection
and slowly turning round that I might enjoy its full effect.
I soon discovered that though his mind was much occupied with
Imperial politics, he retained a human interest in home life and the
domestic arts. Like the elder Dumas, he was particularly proud of his
skill in cooking, and he told me of many wonderful dishes he could
make.
“You should taste my nougat!” he cried, and leaning forward like a
diplomat with a State secret, he added, “Only this morning I composed
a new almond toffee!”
I was not surprised that, with these natural gifts only waiting to be
recognized, he was keenly alive to a lack of sympathy in his family
circle.
“My wife,” (he used the singular, and sighed)—“you have no idea what
difficulty I have in getting my wife to try a new dish. With her it
is always mutton, mutton, mutton! She has been brought up on mutton,
and Indian women have so little enterprise. She will not try my
dishes.”
Public-domain text, read in full here on John Shaqi.
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