The New Stone Age in Northern EuropeTyler, John M. (John Mason)
History
The New Stone Age in Northern Europe
Tyler, John M. (John Mason)
Stone age -- Europe
The pottery of northern Europe can be distributed into a few groups or
general types, every one of which is wide-spread and fairly distinct,
though mixture or combination of types is not uncommon, especially along
the boundaries of distribution where two types meet. There is much
difference of opinion and discussion concerning details, but general
agreement as to fundamentals and essentials.[117]
Intermediate or "hybrid" forms also occur. The classification is hardly
natural and is responsible for much confusion and dispute. It can have
only temporary and provisional value. These three groups are:
1. Banded pottery, _Céramique rubanée_, _Bandkeramik_.
2. Corded pottery, _Céramique cordée_, _Schnurkeramik_.
3. Calyciform pottery, _Vases caliciforms_, _Zonenbecher._
They differ mostly in ornamentation, but often also as distinctly in
form.
1. _Banded pottery_ occurs all over Europe except northeast of the Oder,
perhaps also in Great Britain. Its shape is usually that of a spheroidal
gourd with the upper fourth removed; and its system of ornament may have
been derived from the system of cords by which the jar was once
suspended. Sometimes we find a low neck, rim, or collar around the large
mouth. The ornament in what seems to be its most primitive form consists
of lines marked in the clay, arranged parallel to one another in bands
covering most of the body of the jar. These bands, either broad or
narrow, run in a zigzag or saw-tooth pattern horizontally around the
base. By doubling each saw-tooth we get a diamond-shaped area. Even this
simple ornament admits of a large variety of patterns. But the bands may
be curved instead of angular, forming scrolls, meanders, or spirals.
Logically, these should represent the latest development of the type.
But the spiral may yet prove to be actually older than the angle. The
bands may be raised and projecting (Bosnia) or be merely painted on a
flat, sometimes burnished, surface. The incised lines may be plain or
filled with a white material (encrusted). The briefest consideration
shows that we have here a very generalized type or group of types which
made its first appearance in Europe on the lower Danube and then
underwent development by simplification or sometimes, perhaps, by
increased complexity, as it radiated from this centre, becoming more and
more modified as it went westward or northward.
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