The New TenantOppenheim, E. Phillips (Edward Phillips)
General
The New Tenant
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories
He followed her across the hall, and entered the room with her. Sir
Allan, with his back to them, was seated at the piano, softly playing an
air of Chopin's to himself. At the sound of the opening door, he turned
round.
"Sir Allan, you see we have found another visitor to take pity on us,"
Helen said. "You know Mr. Maddison, don't you?"
The music, which Sir Allan had been continuing with his right hand, came
to a sudden end, and for the space of a few seconds he remained
perfectly motionless. Then he rose and bowed slightly.
"I have that pleasure," he said quietly. "Mr. Maddison is a neighbor of
yours, is he not? I met him, you know, on a certain very melancholy
occasion."
"Will you go on playing?" she asked, sinking down on a low settee; "we
should like to listen."
He sat down again, and with half-closed eyes recommenced the air. Helen
and Bernard Maddison, sitting side by side, spoke every now and then to
one another in a low tone. There was no general conversation until Mr.
Thurwell entered, and then dinner was announced almost immediately.
There was no lack of conversation then. At first it had lain chiefly
between Mr. Thurwell and Sir Allan Beaumerville, but catching a somewhat
anxious glance from Helen, her lover suddenly threw off his silence.
"When Maddison talks," one of his admirers had once said, "everyone else
listens"; and if that was not quite so in the present case, it was
simply because he had the art of drawing whoever he chose into the
conversation, and making them appear far greater sharers in it than they
really were. What was in truth a monologue seemed to be a brilliantly
sustained conversation, in which Maddison himself was at once the
promoter and the background. On his part there was not a single faulty
phrase or unmusical expression. Every idea he sprang upon them was
clothed in picturesque garb, and artistically conceived. It was the
outpouring of a richly stored, cultured mind--the perfect expression of
perfect matter.
The talk had drifted toward Italy, and the art of the Renaissance. Mr.
Thurwell had made some remark upon the picturesque beauties of some of
the lesser-known towns in the north, and Bernard Maddison had taken up
the theme with a new enthusiasm.
"I am but just come back from such a one," he said. "I wonder if I could
describe it."
Public-domain text, read in full here on John Shaqi.
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