The New WardenRitchie, David G. (David George), Mrs.
General
The New Warden
Ritchie, David G. (David George), Mrs.
English fiction; Love stories; Mate selection -- Fiction; University of Oxford -- Fiction
Boreham was nearly late, he stumbled into the ante-chapel just as they
were closing the doors with solemn insistence. He uncovered his head as
he entered, and his nostrils were struck with a peculiar odour of stone
and mortar; a sense of space around him and height above him; also with
the warmth of some indefinable sense of community of purpose that
annoyed him. He was, indeed, already warm enough physically with his
haste in coming; he was also spiritually in a glow with the
consciousness of his own magnanimity and toleration. Here was the
enlightened Boreham entering a temple where they repeated "Creeds
outworn." Here he was entering it without any exhibition of violent
hostility or even of contempt. He was entering it decorously, though not
without some speed. He was warm and did not wish to be made warmer.
What he had not anticipated, and what disappointed him, was that from
the ante-chapel he could not see whether the Dashwoods were in the
Chapel or not. The screen and organ loft were in the way, they blocked
his vision, and not having any "permit" for the Chapel, he had to remain
in the ante-chapel, and just hope for the best. He seated himself as
near to the door as he could, on the end of the back bench, already
crowded. There he disposed of his hat and prepared himself to go through
with the service.
Boreham did not, of course, follow the prayers or make any responses; he
merely uttered a humming noise with the object of showing his mental
aloofness, and yet impressing the fact of his presence on the devout
around him.
Many a man who has a conscientious objection to prayer, likes to hear
himself sing. But Boreham's singing voice was not altogether under his
own control. It was as if the machinery that produced song was mislaid
somewhere down among his digestive organs and had got rusted, parts of
it being actually impaired.
It had been, in his younger days, a source of regret to Boreham that he
could never hope to charm the world by song as well as by words. As he
grew older that regret faded, and was now negligible.
Is there any religious service in the world more perfect than evensong
at Magdalen? Just now, in the twilight of the ante-chapel, a twilight
faintly lit above at the spring of the groined roof, the voices of the
choir rose and fell in absolute unison, with a thrill of subdued
complaint; a complaint uttered by a Hebrew poet dead and gone these many
years, a complaint to the God of his fathers, the only true God.
Boreham marked time (slightly out of time) muttering--
"Tum/tum tum/ti:
Tum/tum tum/tum ti/tum?"
loud enough to escape the humiliation of being confounded with those
weak-minded strangers who are carried away (in spite of their reason) by
the charm of sacerdotal blandishments.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account