British art either finds her peculiar nourishment in melancholy, and loves to fix her abode in desert places; or it may be her purse is but slenderly furnished, and she is forced to put up with accommodations rejected by more prosperous callings. Some of the most dismal quarters of the town are colonised by her disciples and professors. In walking through streets which may have been gay and polite when ladies’ chairmen jostled each other on the pavement, and linkboys with their torches lighted the beaux over the mud, who has not remarked the artist’s invasion of those regions once devoted to fashion and gaiety? Centre windows of drawing-rooms are enlarged so as to reach up into bedrooms—bedrooms where Lady Betty has had her hair powdered, and where the painter’s north-light now takes possession of the place which her toilet-table occupied a hundred years ago. There are degrees in decadence: after the Fashion chooses to emigrate, and retreats from Soho or Bloomsbury, let us say, to Cavendish Square, physicians come and occupy the vacant houses, which still have a respectable look, the windows being cleaned, and the knockers and plates kept bright, and the doctor’s carriage rolling round the square, almost as fine as the countess’s, which has whisked away her ladyship to other regions. A boarding-house mayhap succeeds the physician, who has followed after his sick folks into the new country; and then Dick Tinto comes with his dingy brass plate, and breaks in his north window, and sets up his sitters’ throne. I love his honest moustache, and jaunty velvet jacket; his queer figure, his queer vanities, and his kind heart. Why should he not suffer his ruddy ringlets to fall over his shirt-collar? Why should he deny himself his velvet? it is but a kind of fustian which costs him eighteenpence a yard. He is naturally what he is, and breaks out into costume as spontaneously as a bird sings, or a bulb bears a tulip. And as Dick, under yonder terrific appearance of waving cloak, bristling beard, and shadowy sombrero, is a good kindly simple creature, got up at a very cheap rate, his life is so consistent with his dress; he gives his genius a darkling swagger, and a romantic envelope, which, being removed, you find, not a bravo, but a kind chirping soul; not a moody poet avoiding mankind for the better company of his own great thoughts, but a jolly little chap who has an aptitude for painting brocade gowns, a bit of armour (with figures inside them), or trees and cattle, or gondolas and buildings, or what not; an instinct for the picturesque, which exhibits itself in his works, and outwardly on his person; beyond this, a gentle creature loving his friends, his cups, feasts, merrymakings, and all good things. The kindest folks alive I have found among those scowling whiskeradoes. They open oysters with their yataghans, toast muffins on their rapiers, and fill their Venice glasses with half-and-half. If they have money in their lean purses, be