It was that well-known portrait-painter, Alfred Smee, Esq., R.A., who recommended Gandish to Colonel Newcome, one day when the two gentlemen met at dinner at Lady Anne Newcome’s table. Mr. Smee happened to examine some of Clive’s drawings, which the young fellow had executed for his cousins. Clive found no better amusement than in making pictures for them, and would cheerfully pass evening after evening in that diversion. He had made a thousand sketches of Ethel before a year was over; a year, every day of which seemed to increase the attractions of the fair young creature, develop her nymph-like form, and give her figure fresh graces. He also of course drew Alfred and the nursery in general, Aunt Anne and the Blenheim spaniels, and Mr. Kuhn and his earrings, the majestic John bringing in the coal-scuttle, and all persons or objects in that establishment with which he was familiar. “What a genius the lad has,” the complimentary Mr. Smee averred; “what a force and individuality there is in all his drawings! Look at his horses! capital, by Jove, capital! and Alfred on his pony, and Miss Ethel in her Spanish hat, with her hair flowing in the wind! I must take this sketch, I positively must now, and show it to Landseer.” And the courtly artist daintily enveloped the drawing in a sheet of paper, put it away in his hat, and vowed subsequently that the great painter had been delighted with the young man’s performance. Smee was not only charmed with Clive’s skill as an artist, but thought his head would be an admirable one to paint. Such a rich complexion, such fine turns in his hair! such eyes! to see real blue eyes was so rare nowadays! And the Colonel too, if the Colonel would but give him a few sittings, the grey uniform of the Bengal Cavalry, the silver lace, the little bit of red ribbon just to warm up the picture! it was seldom, Mr. Smee declared, that an artist could get such an opportunity for colour. With our hideous vermilion uniforms there was no chance of doing anything; Rubens himself could scarcely manage scarlet. Look at the horseman in Cuyp’s famous picture at the Louvre: the red was a positive blot upon the whole picture. There was nothing like French grey and silver! All which did not prevent Mr. Smee from painting Sir Brian in a flaring deputy-lieutenant’s uniform, and entreating all military men whom he met to sit to him in scarlet. Clive Newcome the Academician succeeded in painting, of course for mere friendship’s sake, and because he liked the subject, though he could not refuse the cheque which Colonel Newcome sent him for the frame and picture; but no cajoleries could induce the old campaigner to sit to any artist save one. He said he should be ashamed to pay fifty guineas for the likeness of his homely face; he jocularly proposed to James Binnie to have his head put on the canvas, and Mr. Smee enthusiastically caught at the idea; but honest James winked his droll eyes, saying his was a beauty that did not want