It was a great sight to see Mr. Frederick Bayham engaged in the waltz or the quadrille with some of the elderly houris at the Colonel’s parties. F. B., like a good-natured F. B. as he was, always chose the plainest women as partners, and entertained them with profound compliments and sumptuous conversation. The Colonel likewise danced quadrilles with the utmost gravity. Waltzing had been invented long since his time: but he practised quadrilles when they first came in, about 1817, in Calcutta. To see him leading up a little old maid, and bowing to her when the dance was ended, and performing cavalier seul with stately simplicity, was a sight indeed to remember. If Clive Newcome had not such a fine sense of humour, he would have blushed for his father’s simplicity.—As it was, the elder’s guileless goodness and childlike trustfulness endeared him immensely to his son. “Look at the old boy, Pendennis,” he would say, “look at him leading up that old Miss Tidswell to the piano. Doesn’t he do it like an old duke? I lay a wager she thinks she is going to be my mother-in-law; all the women are in love with him, young and old. ‘Should he upbraid?’ There she goes. ‘I’ll own that he’ll prevail, and sing as sweetly as a nigh-tin-gale!’ Oh, you old warbler! Look at father’s old head bobbing up and down! Wouldn’t he do for Sir Roger de Coverley? How do you do, Uncle Charles?—I say, M’Collop, how gets on the Duke of What-d’ye-call-’em starving in the castle?—Gandish says it’s very good.” The lad retires to a group of artists. Mr. Honeyman comes up with a faint smile playing on his features, like moonlight on the facade of Lady Whittlesea’s Chapel. “These parties are the most singular I have ever seen,” whispers Honeyman. “In entering one of these assemblies, one is struck with the immensity of London: and with the sense of one’s own insignificance. Without, I trust, departing from my clerical character, nay, from my very avocation as incumbent of a London chapel,—I have seen a good deal of the world, and here is an assemblage no doubt of most respectable persons, on scarce one of whom I ever set eyes till this evening. Where does my good brother find such characters?” “That,” says Mr. Honeyman’s interlocutor, “is the celebrated, though neglected artist, Professor Gandish, whom nothing but jealousy has kept out of the Royal Academy. Surely you have heard of the great Gandish?” “Indeed I am ashamed to confess my ignorance, but a clergyman busy with his duties knows little, perhaps too little, of the fine arts.”