“Next morning the governor had letters to deliver after breakfast, and left me at the Louvre door. I shall come and live here, I think. I feel as if I never want to go away. I had not been ten minutes in the place before I fell in love with the most beautiful creature the world has ever seen. She was standing silent and majestic in the centre of one of the rooms of the statue-gallery; and the very first glimpse of her struck one breathless with the sense of her beauty. I could not see the colour of her eyes and hair exactly, but the latter is light, and the eyes I should think are grey. Her complexion is of a beautiful warm marble tinge. She is not a clever woman, evidently; I do not think she laughs or talks much—she seems too lazy to do more than smile. She is only beautiful. This divine creature has lost an arm, which has been cut off at the shoulder, but she looks none the less lovely for the accident. She maybe some two-and-thirty years old; and she was born about two thousand years ago. Her name is the Venus of Milo. O Victrix! O lucky Paris! (I don’t mean this present Lutetia, but Priam’s son.) How could he give the apple to any else but this enslaver—this joy of gods and men? at whose benign presence the flowers spring up, and the smiling ocean sparkles, and the soft skies beam with serene light! I wish we might sacrifice. I would bring a spotless kid, snowy-coated, and a pair of doves and a jar of honey—yea, honey from Morel’s in Piccadilly, thyme-flavoured, narbonian, and we would acknowledge the Sovereign Loveliness, and adjure the Divine Aphrodite. Did you ever see my pretty young cousin, Miss Newcome, Sir Brian’s daughter? She has a great look of the huntress Diana. It is sometimes too proud and too cold for me. The blare of those horns is too shrill and the rapid pursuit through bush and bramble too daring. O thou generous Venus! O thou beautiful bountiful calm! At thy soft feet let me kneel—on cushions of Tyrian purple. Don’t show this to Warrington, please: I never thought when I began that Pegasus was going to run away with me. “I wish I had read Greek a little more at school: it’s too late at my age; I shall be nineteen soon, and have got my own business; but when we return I think I shall try and read it with Cribs. What have I been doing, spending six months over a picture of sepoys and dragoons cutting each other’s throats? Art ought not to be a fever. It ought to be a calm; not a screaming bull-fight or a battle of gladiators, but a temple for placid contemplation, rapt worship, stately rhythmic ceremony, and music solemn and tender. I shall take down my Snyders and Rubens when I get home; and turn quietist. To think I have spent weeks in depicting bony life-guardsmen delivering cut one, or Saint George, and painting black beggars off a crossing!