The little governess trotting home after her lesson would often look in to Clive’s studio in Charlotte Street, where her two boys, as she called Clive and J. J., were at work each at his easel. Clive used to laugh, and tell us, who joked him about the widow and her daughter, what Miss Cann said about them. Mrs. Mack was not all honey, it appeared. If Rosey played incorrectly, mamma flew at her with prodigious vehemence of language, and sometimes with a slap on poor Rosey’s back. She must make Rosey wear tight boots, and stamp on her little feet if they refused to enter into the slipper. I blush for the indiscretion of Miss Cann; but she actually told J. J., that mamma insisted upon lacing her so tight, as nearly to choke the poor little lass. Rosey did not fight: Rosey always yielded; and the scolding over and the tears dried, would come simpering downstairs with mamma’s arm round her waist, and her pretty artless happy smile for the gentlemen below. Besides the Scottish songs without music, she sang ballads at the piano very sweetly. Mamma used to cry at these ditties. “That child’s voice brings tears into my eyes, Mr. Newcome,” she would say. “She has never known a moment’s sorrow yet! Heaven grant, heaven grant, she may be happy! But what shall I be when I lose her?” “Why, my dear, when ye lose Rosey, ye’ll console yourself with Josey,” says droll Mr. Binnie from the sofa, who perhaps saw the manœuvre of the widow. The widow laughs heartily and really. She places a handkerchief over her mouth. She glances at her brother with a pair of eyes full of knowing mischief. “Ah, dear James,” she says, “you don’t know what it is to have a mother’s feelings.”