Percy sings a Spanish seguidilla, or a German lied, or a French romance, or a Neapolitan canzonet, which, I am bound to say, excites very little attention. Mrs. Ridley is sending in coffee at this juncture, of which Mrs. Sherrick partakes, with lots of sugar, as she has partaken of numberless things before. Chicken, plovers’ eggs, prawns, aspics, jellies, creams, grapes, and what-not. Mr. Honeyman advances, and with deep respect asks if Mrs. Sherrick and Miss Sherrick will not be persuaded to sing? She rises and bows, and again takes off the French gloves, and shows the large white hands glittering with rings, and, summoning Emily her daughter, they go to the piano. “Can she sing,” whispers Mrs. Mackenzie, “can she sing after eating so much?” Can she sing, indeed! Oh, you poor ignorant Mrs. Mackenzie! Why, when you were in the West Indies, if you ever read the English newspapers, you must have read of the fame of Miss Folthorpe. Mrs. Sherrick is no other than the famous artist, who, after three years of brilliant triumphs at the Scala, the Pergola, the San Carlo, the opera in England, forsook her profession, rejected a hundred suitors, and married Sherrick, who was Mr. Cox’s lawyer, who failed, as everybody knows, as manager of Drury Lane. Sherrick, like a man of spirit, would not allow his wife to sing in public after his marriage; but in private society, of course, she is welcome to perform: and now with her daughter, who possesses a noble contralto voice, she takes her place royally at the piano, and the two sing so magnificently that everybody in the room, with one single exception, is charmed and delighted; and that little Miss Cann herself creeps up the stairs, and stands with Mrs. Ridley at the door to listen to the music. Miss Sherrick looks doubly handsome as she sings. Clive Newcome is in a rapture; so is good-natured Miss Rosey, whose little heart beats with pleasure, and who says quite unaffectedly to Miss Sherrick, with delight and gratitude beaming from her blue eyes, “Why did you ask me to sing, when you sing so wonderfully, so beautifully, yourself? Do not leave the piano, please—do sing again!” And she puts out a kind little hand towards the superior artist, and, blushing, leads her back to the instrument. “I’m sure me and Emily will sing for you as much as you like, dear,” says Mrs. Sherrick, nodding to Rosey good-naturedly. Mrs. Mackenzie, who has been biting her lips and drumming the time on a side-table, forgets at last the pain of being vanquished in admiration of the conquerors. “It was cruel of you not to tell us, Mr. Honeyman,” she says, “of the—of the treat you had in store for us. I had no idea we were going to meet professional people; Mrs. Sherrick’s singing is indeed beautiful.”