The Next Step in Religion: An Essay toward the Coming RenaissanceSellars, Roy Wood
Religion
The Next Step in Religion: An Essay toward the Coming Renaissance
Sellars, Roy Wood
Christianity; Humanism -- History -- 20th century; Religion
At certain stages of social development, false beliefs are simply
inevitable. For example, the Ptolemaic view of the solar system was
bound to precede the Copernican. And false beliefs do both good and
harm before they are outgrown. How many of the down-trodden have
looked to another world to right their wrongs! It gave them hope: but
it made them passive and all too meek. Has not the idea of another
life encouraged a false perspective in regard to this one? I cannot
feel that the belief was ever a very healthy one for the human race.
Yet, during the coming period of transition, many who have been trained
to hold false expectations will experience grievous pain. People who
become used to a narcotic recoil from the idea of giving it up. Their
nervous system has been taught to depend upon it. Is there not
something parallel to this in ethics? Religious romanticism is a
spiritual narcotic which substitutes a dream world for the more humdrum
world of every-day existence. It develops a taste for the meretricious
and sentimental. In revenge, the enthusiast fails to achieve insight
into the significance of common things. Life's real tragedies and
triumphs are veiled from his untrained eye. Only a whole-hearted, even
joyous, immersion in the sea of struggling human life gives the
imagination that iron vigor it needs. The greatest saints have talked
the least of heaven.
"Born into life!--who lists
May what is false hold dear,
And for himself make mists
Through which to see less clear;
The world is what it is, for all our dust and din.
{152}
"Is it so small a thing
To have enjoy'd the sun,
To have lived light in the spring,
To have loved, to have thought, to have done;
To have advanced true friends, and beat down baffling foes--"
Let those who can meet life bravely and joyously. The stage has been
planned by no master artist, and the actors are only amateurs compelled
to improvise their parts; but the sunlight is sometimes golden and the
spoken lines often surprise us with their beauty. What critic can pass
assured judgment upon this continuous play?
{153}
CHAPTER XII
THE PROBLEM OF EVIL
Public-domain text, read in full here on John Shaqi.
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