The Night OperatorPackard, Frank L. (Frank Lucius)
General
The Night Operator
Packard, Frank L. (Frank Lucius)
Fiction; Railroad stories; Short stories
Bradley, without ceremony, pushed into the crowd, and the foreigners
made way for him the best they could. Then he commenced to shoulder
through the sort of self-constituted guard of sympathizers with the
house. One of these tried to block his way more effectually.
"You'd better keep your hands off, whoever you are," the man threw at
him. "The young fool's been putting the place on the rough ever since
he came in here. All Dave wants to do is put him out of the back door,
and----"
"Thash the boy, Reddy! Don't lesh him bluff you--saw him change cards
m'self. Damn thief--damn cheat--thash the boy, Reddy!" It was old
John MacQuigan's voice, from the other room, high-pitched,
clutter-tongued, drunken.
Then a voice, cold, with a sneer, and a ring in the sneer that there
was no mistaking--Faro Dave's voice:
"You make a move, and I'll drop you quicker'n----"
Bradley's arms swept out with a quick, fierce movement, hurling the man
who tried to block him out of the way; and, fighting now, ramming with
body and shoulders, throwing those in front of him to right and left,
he half fell, half flung himself finally through the doorway into the
room beyond--too late.
"Thash the boy, Reddy!"--it was old John's maudlin voice again. "Thash
the----"
The picture seared itself into Bradley's brain, lightning-quick,
instantaneous, but vivid in every detail, as he ran: The little group
of men, three or four, who had been sitting at the game probably,
seeking cover in the far corner; Reddy MacQuigan, swaying a little,
standing before a somewhat flimsy green-baized card table; old John,
too far gone to stand upright alone, leaning against the wall behind
Reddy; Faro Dave, an ugly white in his face, an uglier revolver in his
hand, standing, facing Reddy across the table; the quick forward lunge
from Reddy, the crash of the table as the boy hurled it to the floor
and flung himself toward the gambler; the roar of a revolver shot, the
flash of the short-tongued flame; a choking scream; another shot, the
tinkle of glass as the bullet shattered the ceiling lamp; then
blackness--all but a dull glow filtering in through the barroom door,
that for the first instant in the sudden contrast gave no light at all.
Bradley, before he could recover himself, pitched over a tangled mass
of wrecked tables--over that and a man's body. Somebody ran through
the room, and the back door slammed. There were shouts now, and
yells--a chorus of them from the barroom. Some one bawled for a light.
Bradley got to his knees, and, reaching to raise the boy, wounded or
killed as he believed, found his throat suddenly caught in a vicious
grasp--and Reddy's snarling laugh was in his ears.
"Let go!" Bradley choked. "Let go, Reddy. It's me--Martin."
Reddy's hands fell.
"Martin, eh?" he said thickly. "Thought it was--hic--that----"
Public-domain text, read in full here on John Shaqi.
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