Didactic fiction; Political fiction; Social problems -- Fiction
They gained the corner of Great Jones Street--one of those dim byways of
trade that branch off from the radiant avenues. As they turned in the
street, they met a bitter wind that was blowing the pavement clean as
polished glass, and the dark and closing day was set off sharply by the
intense lamps and shop-lights. Here and there at a window a clerk
pressed his face against the cold pane and looked down into the
cheerless twilight, and many toilers made the hard pavement echo with
their fast steps as they hurried homeward.
"There they are," said Rhona.
Two girls, both placarded, came up to them. One of them, a thin little
skeleton, pitiably ragged in dress, with hollow eyes and white face, was
coughing in the cuff of the wind. She was plainly a consumptive--a
little wisp of a girl. She spoke brokenly, with a strong Russian accent.
"It's good to see you yet, Rhona. I get so cold my bones ready to
crack."
She shivered and coughed. Rhona spoke softly.
"Fannie, you go right home, and let your mother give you a good drink of
hot lemonade with whiskey in it. And take a foot-bath, too."
Fannie coughed again.
"Don't you tell me, Rhona. Look out for yourself. There gets trouble yet
on this street."
Myra drew nearer, a dull feeling in her breast. Rhona spoke easily:
"None of the men said anything or did anything, did they?"
"Well, they say things; they make angry faces, and big fists, Rhona.
Better be careful."
"Where are they?"
"By Zandler's doorway. They get afraid of the cold."
Rhona laughed softly, and put an arm about the frail body.
"Now you run home, and don't worry about me! I can take care of myself.
I expect another girl, anyway."
"Good-night, Rhona."
"Good-night--get to bed, and don't forget the hot lemonade!"
The two girls departed, blowing, as it were, about the corner and out of
sight. Rhona turned to Myra, whose face was pallid.
"Hadn't you better go back, Miss Craig? You see, I'm used to these
things."
"No," said Myra, in a low voice. "I've come to stay."
She was thinking of tiny Fannie. What! Could she not measure to a
little consumptive Russian?
"All right," said Rhona. "Let's begin!"
They started to walk quietly up and down before the darkened loft
building--up fifty yards, down fifty yards. A stout policeman slouched
under a street-lamp, swinging his club with a heavily gloved hand, and
in the shadow of the loft-building entrance Rhona pointed out to Myra
several ill-looking private detectives who danced up and down on their
toes, blew their hands, smoked cigarettes, and kept tab of the time.
"It's they," whispered Rhona, "who make all the trouble. Some of them
are ex-convicts and thugs. They are a rough lot."
"But why is it allowed?" asked Myra.
Rhona laughed.
"Why is anything allowed?"
Public-domain text, read in full here on John Shaqi.
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