Didactic fiction; Political fiction; Social problems -- Fiction
"No! no!" he said. "Everything helps--we must try every way--I may not
be fit for any other way than this. But I'm beginning to think it isn't
of the best sort. Maybe it's the only thing to do to-day, however."
She began to throb with a great hope.
"Don't you think," she cried, "you ought to go off and take a rest and
think it over? You know you might go into politics, to Congress, or
something--then you could really do something."
He looked at her with surprise.
"How you're thinking these days!" he mused. But then he went on very
wearily. "Rest? Myra," his voice sank, "if I ever come out of this
alive, I'll rest--rest deep, rest deep. But there's no end--no end to
it...."
He reverted to the problem of the strike.
"Don't you think there's right on the other side, too? Don't you think
many of the employers are doing all they can under present conditions?
We're asking too much. We want men to change their methods before we
change conditions. Who can do it? I tell you, I may be wronging as fine
a lot of men as there are."
"Then why did you go into it?" she asked, quickly.
"I didn't. It came to me. It bore me under. But I haven't made a mistake
this time. By chance I'm on the _righter_ side, the better side. When it
comes to the women in industry, there's no question. It is killing the
future to work them this way--it is intolerable, inhuman, insane. We
must stop it--and as we _don't_ vote right, we _must_ strike. A strike
is justified these days--will be, until there's some other way of
getting justice. Anyway, this time," he said, fiercely, "I'm right. But
I'm wondering about the future. I'm wondering...."
He said nothing further, digging again at his notes. But Myra now
nourished a hope, a secret throbbing hope ... the first ray of a new and
more confident morning.
XII
CONFIDENT MORNING
Myra moved down to West Tenth Street. She found a neat, little hall
bedroom in one of the three-story brick houses--a little white room,
white-curtained, white-walled, with white counterpane on the iron bed.
She was well content with these narrow quarters, content because it was
near Joe, content because it saved money (her savings were dwindling
rapidly these days), and finally content because she had shifted the
center of her interests to a different set of facts. She was both too
busy and too aroused to be sensitive about running water and the minor
comforts. Her whole being was engrossed in large activities, and she
found with astonishment how many things she could do without. What
previously had seemed so important, poetry, music, dress, quiet, ease,
now became little things lost in a host of new big events. And,
curiously enough, she found a new happiness in this freedom from
superfluities--a sense of range and independence new to her. For at this
time such things actually were superfluous, though the time was to come
again when music and poetry had a new and heightened meaning.
Public-domain text, read in full here on John Shaqi.
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