The ninth vibration and other storiesBeck, L. Adams (Lily Adams)
Science
The ninth vibration and other stories
Beck, L. Adams (Lily Adams)
Fantasy fiction; Paranormal fiction; Short stories
Her voice lingered on the word. It was precious to her. It was like
clear water, laying away the stain of the shameful years.
“Your arm is strong,” answered the Queen. “I go first. Because the
King’s son is safe, I bless you. For your love of the King, I love you.
And here, standing on the verge of life, I testify that the words of the
Blessed One are truth--that love is All; that hatred is Nothing.”
She bared the breast that this woman had made desolate--that, with the
love of this woman, was desolate ho longer, and, stooping, laid her hand
on the brow of Mindon. Once more they embraced, and then, strong and
true, and with the Rajput passion behind the blow, the stroke fell and
Sundari had given her sister the crowning mercy of deliverance. She
laid the body beside her own son, composing the stately limbs, the quiet
eyelids, the black lengths of hair into majesty. So, she thought, in the
great temple of the Rajput race, the Mother Goddess shed silence and awe
upon her worshippers. The two lay like mother and son--one slight hand
of the Queen she laid across the little body as if to guard it.
Her work done, she turned to the entrance and watched the dawn coming
glorious over the river. The men shouted and quarreled in the distance,
but she heeded them no more than the chattering of apes. Her heart was
away over the distance to the King, but with no passion now: so might a
mother have thought of her son. He was sleeping, forgetful of even her
in his dreams. What matter? She was glad at heart. The Queen was dearer
to her than the King--so strange is life; so healing is death. She
remembered without surprise that she had asked no forgiveness of the
Queen for all the cruel wrongs, for the deadly intent--had made no
confession. Again what matter? What is forgiveness when love is all?
She turned from the dawn-light to the light in the face of the Queen.
It was well. Led by such a hand, she could present herself without fear
before the Lords of Life and Death--she and the child. She smiled. Life
is good, but death, which is more life, is better. The son of the King
was safe, but her own son safer.
When the conqueror reentered the chamber, he found the dead Queen
guarding the dead child, and across her feet, as not worthy to lie
beside her, was the body of the Indian woman, most beautiful in death.
FIRE OF BEAUTY
(Salutation to Ganesa the Lord of Wisdom, and to Saraswate the Lady of
Sweet Speech!)
This story was composed by the Brahmin Visravas, that dweller on the
banks of holy Kashi; and though the events it records are long past, yet
it is absolutely and immutably true because, by the power of his yoga,
he summoned up every scene before him, and beheld the persons moving
and speaking as in life. Thus he had naught to do but to set down what
befell.
What follows, that hath he seen.
I
Public-domain text, read in full here on John Shaqi.
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