The Nobel Prize winners in literatureMarble, Annie Russell
History
The Nobel Prize winners in literature
Marble, Annie Russell
Authors; Literature -- History and criticism; Nobel Prize winners; Nobel Prizes; Nobel, Alfred Bernhard, 1833-1896
refused to believe that the ideals of human brotherhood had been
destroyed; they were suffering eclipse temporarily but would relive
in “The New Dawn.” To Woodrow Wilson, in the later months of the war,
Rolland made an appeal to “be the arbiter of the free peoples.” On
the day of the armistice he issued a manifesto, _L’Humanité_, a call
to “brain workers,” comrades all through the world, to reconstruct
a fraternal union. The play, _The Montespan_, translated by Helena
van Brugh de Kay, is called a “sequel to _Above the Battle_.” He had
written, during these days of seclusion and thought, his study and
appreciation of _Mahatma Gandhi: the Man Who Became One with the
Universal Being_ (translated by Catherine D. Groth), which has been
quoted in the previous chapter upon Rabindranath Tagore.
As relaxation, he wrote _Liluli_, a comedy with the “goddess of
illusion” as its heroine. There are some lines of satire and some
of burlesque, as the combatants wrestle. It was symbolic of France
during the war years, as _he_ viewed his country, scorning Truth and
heaping up ruins of past greatness. This has been illustrated with
thirty-two wood engravings by Frans Masereel (New York, 1920). While
Rolland was exercising his ironical wit upon this picture of war, he
was writing _Clerambault: the Story of an Independent Spirit during
the War_, a sad portrayal of a pacifist. This has been translated by
Katherine Miller (New York, 1921). It is a dissertation more than
a story, a presentation of the author’s own sentiments, with much
philosophy about life and conflicts. The man, Clerambault, passes
through strange spiritual experiences. The early scenes of his rural
home life, peaceful and happy, are contrasted with his fanaticism when
he reaches Paris and urges his son, Maxime, to enter the army; then
come reactions, after the death of the son and his own probings of
conscience. The author interprets the tale as a tragedy for the man
and his wife, but a triumph of freedom for his soul. There are many
autobiographical touches in this psychological story.
Public-domain text, read in full here on John Shaqi.
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