The Nobel Prize winners in literatureMarble, Annie Russell
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The Nobel Prize winners in literature
Marble, Annie Russell
Authors; Literature -- History and criticism; Nobel Prize winners; Nobel Prizes; Nobel, Alfred Bernhard, 1833-1896
The basic material for this play, _The Sunken Bell_, says its
translator, Mr. Meltzer, is found in Grimm’s Teutonic Mythology. Here
are the characters of the bell maker, his wife, the elfish spirit,
the schoolmaster and the vicar, and other factors interwoven with the
allegorical and mystical. Hauptmann visualized these characters with
consummate skill. Heinrich, the bell forger, who seeks the sun and a
new, marvellous chime of bells, Magda, his faithful wife eager to
free him from domestic toils, Rautendelein, the spirit of nature that
lures him away and stirs his soul to unfulfilled aspirations, and
Wittikin, the wise woman, the village priest and barber--all are alive
and convincing. The evasive and mystical element becomes a part of the
atmosphere of this “fairy-tale play”; the dramatic unities are well
maintained.
What is the meaning of _The Sunken Bell_? Each reader may make his own
answer, for several are possible. It is as futile to analyze it, as
it is to destroy the fantasy and mystery of _Peter Pan_ or _The Blue
Bird_ or _Dear Brutus_. It is too subtle, too delicate to be treated by
rigid rules of criticism. However, Mr. Meltzer makes three pertinent
explanations; it may be a parable, the effort of all artists to reach
their ideals; it may be the effort of a reformer to remold society by
visionary ambitions; or Heinrich may embody any human being, striving
for the goal of truth and light. As Rautendelein symbolizes Nature
which offers freedom, so Wittikin expresses the eternal philosophy of
life, opposed to the conventional creeds of the world, like those of
the barber and the vicar, that are stumbling-blocks in the path of
lofty idealism. Heinrich fails to attain his ideal; he cannot weld the
pagan and Christian truths into one gospel, because he is _human_, with
limitations. He cannot stay on the pinnacle of the mountain, with its
mystic light and its new sun-bells, but he has not lost the influence
of these in his life. When the vicar rejoices that “the old Heinrich”
has returned, he answers:
That man am I, and yet ... another man.
Open the windows--Light and God stream in.[81]
Public-domain text, read in full here on John Shaqi.
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