The Non-religion of the Future: A Sociological StudyGuyau, Jean-Marie
Religion
The Non-religion of the Future: A Sociological Study
Guyau, Jean-Marie
Irreligion and sociology; Religion; Social sciences
This etymology, on the contrary, seems to us rather to be
calculated to show precisely that the conception of infinity is
not primitive, and that the first time the Hindus invoked the
dawn under the name of Aditi, they were far from possessing any
distinction between finite and infinite. The night was for them
a prison-house, the return of day was their deliverance. It is
well known that they represented day as a luminous cow, which
moved slowly out of the stable at night and stepped across
the fields of heaven and of earth. Sometimes these cows are
represented as stolen and confined in sombre caverns. Aurora
herself is retained in the depths of _Rita_; night threatens
to reign without end, but the gods set out in search of her,
Indra discovers and delivers her, and with her aid, the cows
bellowing for liberty are discovered in their cavern. It
seems to us that for one who enters into the spirit of these
primitive legends, it is easy to determine the primitive sense
of Aditi. Aditi is the dawn who, confined one knows not where,
succeeds at last in breaking bonds and appears radiantly in
the open heaven, delivering and delivered, breaking the jail
in which the hours of darkness have confined the world. Aditi
is the dawn, freed and giving freedom. And, by an extension
of meaning, it comes to signify the immortal and imperishable
light which no power can veil or hide for more than a day.
Whereas, Diti signifies what is mortal and perishable and
prisoned in the bounds of matter. This construction is simple,
and what is more, is confirmed by the legends to which we
have just alluded; after having advocated it in the _Revue
philosophique_ (December, 1879), we find it adopted by M.
Réville, _Prolégomènes à l’histoire des religions_, 1881.
[Sidenote: “Suffering from the invisible,” a modern malady.]
Public-domain text, read in full here on John Shaqi.
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