The Normans; told chiefly in relation to their conquest of EnglandJewett, Sarah Orne
History
The Normans; told chiefly in relation to their conquest of England
Jewett, Sarah Orne
Great Britain -- History -- Norman period, 1066-1154; Normans
Later research has done away with the old idea of her working the
famous Bayeux tapestry with the ladies of her court to celebrate the
Conqueror's great deeds; but he needed no tribute of needle-work, nor
she either, to make them remembered. They have both left pictures
of themselves done in fadeless [Pg239] colors and living text of
lettering that will stand while English words are spoken, and Norman
trees bloom in the spring, and Norman rivers run to the sea, and the
towers of Caen spring boldly toward the sky.
We cannot be too thankful that so much of these historic churches
has been left untouched. When it is considered that at five separate
times the very fiends of destruction and iconoclasm seem to have been
let loose in Normandy, it is a great surprise that there should be so
many old buildings still in existence. From the early depredations of
the Northmen themselves, down to the religious wars of the sixteenth
century and the French revolution of the eighteenth, there have
been other and almost worse destroying agencies than even the wars
themselves. Besides the natural decay of masonry and timber, there was
the very pride and growing wealth of the rich monastic orders and the
large towns, who liked nothing better than to pull down their barns
to build greater and often less interesting ones. The most prosperous
cities naturally build the best churches, as they themselves increase,
and naturally replace them oftenest, and so retain fewest that are of
much historical interest in the end. The most popular weapon in the
tenth and eleventh centuries was fire; and the first thing that Norman
assailants were likely to do, was to throw burning torches over the
walls into the besieged towns. Again and again they were burnt—houses,
churches, and all.
Public-domain text, read in full here on John Shaqi.
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