The North Devon CoastHarper, Charles G. (Charles George)
History
The North Devon Coast
Harper, Charles G. (Charles George)
Devon (England) -- Description and travel
There is no _town_ at Saunton, and the mere fringe of houses beside
the road is very new; this coast having been of old too dreary and
inhospitable to afford a home for honest folk. Smugglers, wreckers, and
such shy cattle, were among its scanty frequenters, and sometimes (the
place being so lonely and secretive) refugees landed amid these wastes.
Among them was the Duke of Ripperda, who landed one dark night in the
beginning of October 1728, out of an Irish barque. He “had no one with
him but the lady who had procured his deliverance, the corporal of the
guard, and one servant.” This fugitive had escaped from the castle of
Segovia. He was entertained the night by one “Mr. Harris of Pickwell,”
and then went to Exeter. Thus the Duke of Ripperda, who is no national
concern of ours, flits mysteriously across country to disappear again
in foreign parts. It would puzzle a biographer to give him a domicile.
Born a Dutchman, he seems to have been sent on a diplomatic mission to
Madrid, and there to have renounced Holland and the Protestant religion
and to have become a Spaniard and a Catholic. Philip the Fifth rewarded
him with a dukedom. Eventually he is found in Morocco, as a Moorish
subject of the deepest dye. At one period, we are told, he became a
Jew, but that is scarcely credible. At last, having been everything it
was possible to be, he died in 1737.
[Illustration: SIR JOHN SCHORNE AND HIS DEVIL.]
Old rotting ribs of wrecked ships, protruding like fangs from the wet
margin of the sands, tell their own tale of unexpected and disastrous
landfalls on the lonely shore.
On the left hand of the road is still to be seen “Saunton Court,” an
old farmhouse mentioned with glowing description in Blackmore’s “Maid
of Sker,” but the interest of the house in the novel is not reflected
in the present circumstances of the place.
Public-domain text, read in full here on John Shaqi.
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