Old East Anglian cottages have their own special characteristics, arising from local conditions, but one feature they share in common with all old rustic dwellings; the great size and relative importance of their genial chimneys, suggesting warmth and the lavish laying on of logs. They tell the passer-by of old times when wood was the only fuel; when it was to be gathered for the mere labour of gathering, and plenty of it was piled upon the generous open hearth. Modern cottages, all over the kingdom, tell a different tale, in the look of their meagre chimney-pots--a tale of coal, dearly purchased, economised in tiny grates. But the special features of East Anglian cottage architecture? They are here, in the highways and byways, for all to see who will. It is a land without stone, this East of England, where timber and flint and brick play important constructional parts in church and hall and manor-house, and where timber framing, lath and plaster, parge-work, and a few bricks for the chimney stacks, are combined to build up the cottages. Out of their necessities our ancestors contrived dwellings that for durability, comfort and artistry put modern houses, whether halls or cottages, to shame. The stone cottages of Somersetshire, Rutland, Leicestershire; the cob and thatch of Devon, the granite of Cornwall; the timber and plaster, or timber and brick noggin of Cheshire and Herefordshire are all evidence to this day of how skilfully our forbears employed the materials to their hands; and here in Essex you shall find a something in the art of cottage building hardly to be discovered elsewhere. This is the frequent use of parge-work, or pargetting, as it is sometimes called, on old cottage exteriors. Parge-work is the ornamental filling or surfacing of walls with plaster. The term is just as often applied to the elaborately-moulded and panelled plaster ceilings of Elizabethan and Jacobean halls as to the exterior decoration that forms so remarkable and pleasing a feature of Essex rustic cottage architecture. Few Essex villages that can claim to preserve many relics of old times are without examples of this peculiarly local style; although, to be sure, an ignorant want of appreciation has been the cause of much destruction of late years. The commoner forms of this decoration are frequently seen, in the easily incised patterns that even the unskilful can make in the plaster while still wet, by the aid of anything from a trowel to the finger-tips; just as a cook ornaments the dough of her uncooked pies. Many of these patterns are traditional; as much a matter of tradition, for instance, as are the needlework patterns wrought on the breast of an old smock-frock. The commonest is one produced by a process of combing the plaster in repetitions of a device resembling an elongated figure 8 laid flat, or perhaps more narrowly resembling a hank of worsted. Other patterns, of whorls or concentric circles, stars, triangles and the