"Farmin'?" says our rustic friend; "no great shakes, I tell 'ee. It don't pay to grow nawthen now, an' it gets wusser'n wusser. All the fields goin' under grass, for ship'n cattle. An' the land's fair pisoned with weeds. Yow see them 'ere beece, in that there close down along o' the chutch? There's a mort o' docks in that 'ere close. More docks'n grass, an' I thinks warsley o' the chanst of cattle gettin' a fair bite off'n it. Don't know what docks is? Wish I didden! I've bin a-pullin' of 'em till my back's pretty nigh broke, and I'm fair dunted with 'em. Last year there worn't ne'er a one: t'yen there's a mort on 'em. Where do they come from? God A'mighty knows. _They_ don't want no cultivation, bless 'ee. There ain't no land so chice but what'll grow docks." Here he pulls out his "muckinger," that is to say, his handkerchief--the Essex dialect is not the most elegant form of speech--and, trumpeting on it like an elephant, with indignation, goes his way. The "chutch" in question is that of Feering, on the other side of the Great Eastern Railway, along whose embankment go the frequent Prussian-blue-painted locomotives with long trains at their tail, past Mark's Tey Junction, whose forest of signal-masts is visible ahead, into Colchester. With the raising of that embankment went the life of this highway, only now experiencing a revival. XXIII THE cyclists, the pedestrians, the motor-men, who adventure along the road rejoice at its smooth surface, and find little incident to mark their journey. A punctured tyre, a defective valve alone hinder those mechanical travellers; while the pedestrian finds a limit set to his progress only by his walking powers. Even so, he may obtain to Norwich long before the others, for the railway hugs the road closely for three parts of the distance, and stations are frequent. In any case, the curtain has long since been rung down upon the Romance of the Road. If this were the place to do it, that romance might be recounted at great length; sometimes rising to tragical height, again sinking to comedy or farce. But we must take our romance as it comes, and, reading as we run, be content to act a vicarious part in the long story. And we may well be so content, for to have essayed the journey in days of old often meant a "speaking with strangers in the gates" that entailed fighting on unequal terms, with the possibility of a roadside grave and the tolerable certainty of being robbed of anything and everything worth the taking.