The Notebooks of Leonardo Da Vinci — CompleteLeonardo, da Vinci
Science
The Notebooks of Leonardo Da Vinci — Complete
Leonardo, da Vinci
Leonardo, da Vinci, 1452-1519 -- Notebooks, sketchbooks, etc.
But leaves of a green verging on yellow when they reflect the
atmosphere do not produce a reflection verging on blue, inasmuch as
every thing which appears in a mirror takes some colour from that
mirror, hence the blue of the atmosphere being reflected in the
yellow of the leaf appears green, because blue and yellow mixed
together make a very fine green colour, therefore the lustre of
light leaves verging on yellow will be greenish yellow.
A classification of trees according to their colours.
435.
The trees in a landscape are of various kinds of green, inasmuch as
some verge towards blackness, as firs, pines, cypresses, laurels,
box and the like. Some tend to yellow such as walnuts, and pears,
vines and verdure. Some are both yellowish and dark as chesnuts,
holm-oak. Some turn red in autumn as the service-tree, pomegranate,
vine, and cherry; and some are whitish as the willow, olive, reeds
and the like. Trees are of various forms ...
The proportions of light and shade in trees (436-440).
436.
OF A GENERALLY DISTRIBUTED LIGHT AS LIGHTING UP TREES.
That part of the trees will be seen to lie in the least dark shadow
which is farthest from the earth.
To prove it let _a p_ be the tree, _n b c_ the illuminated
hemisphere [the sky], the under portion of the tree faces the earth
_p c_, that is on the side _o_, and it faces a small part of the
hemisphere at _c d_. But the highest part of the convexity a faces
the greatest part of the hemisphere, that is _b c_. For this
reason--and because it does not face the darkness of the earth--it
is in fuller light. But if the tree has dense foliage, as the
laurel, arbutus, box or holm oak, it will be different; because,
although _a_ does not face the earth, it faces the dark [green] of
the leaves cut up by many shadows, and this darkness is reflected
onto the under sides of the leaves immediately above. Thus these
trees have their darkest shadows nearest to the middle of the tree.
437.
OF THE SHADOWS OF VERDURE.
The shadows of verdure are always somewhat blue, and so is every
shadow of every object; and they assume this hue more in proportion
as they are remote from the eye, and less in proportion as they are
nearer. The leaves which reflect the blue of the atmosphere always
present themselves to the eye edgewise.
OF THE ILLUMINATED PART OF VERDURE AND OF MOUNTAINS.
The illuminated portion, at a great distance, will appear most
nearly of its natural colour where the strongest light falls upon
it.
438.
OF TREES THAT ARE LIGHTED BY THE SUN AND BY THE ATMOSPHERE.
In trees that are illuminated [both] by the sun and the atmosphere
and that have leaves of a dark colour, one side will be illuminated
by the atmosphere [only] and in consequence of this light will tend
to blueness, while on the other side they will be illuminated by the
atmosphere and the sun; and the side which the eye sees illuminated
by the sun will reflect light.
439.
OF DEPICTING A FOREST SCENE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account