The Notebooks of Leonardo Da Vinci — CompleteLeonardo, da Vinci
Science
The Notebooks of Leonardo Da Vinci — Complete
Leonardo, da Vinci
Leonardo, da Vinci, 1452-1519 -- Notebooks, sketchbooks, etc.
say, that the atmosphere assumes this azure hue by reason of the
particles of moisture which catch the rays of the sun. Again, we may
note the difference in particles of dust, or particles of smoke, in
the sun beams admitted through holes into a dark chamber, when the
former will look ash grey and the thin smoke will appear of a most
beautiful blue; and it may be seen again in in the dark shadows of
distant mountains when the air between the eye and those shadows
will look very blue, though the brightest parts of those mountains
will not differ much from their true colour. But if any one wishes
for a final proof let him paint a board with various colours, among
them an intense black; and over all let him lay a very thin and
transparent [coating of] white. He will then see that this
transparent white will nowhere show a more beautiful blue than over
the black--but it must be very thin and finely ground.
[Footnote 7: _reta_ here has the sense of _malanno_.]
301.
Experience shows us that the air must have darkness beyond it and
yet it appears blue. If you produce a small quantity of smoke from
dry wood and the rays of the sun fall on this smoke, and if you then
place behind the smoke a piece of black velvet on which the sun does
not shine, you will see that all the smoke which is between the eye
and the black stuff will appear of a beautiful blue colour. And if
instead of the velvet you place a white cloth smoke, that is too
thick smoke, hinders, and too thin smoke does not produce, the
perfection of this blue colour. Hence a moderate amount of smoke
produces the finest blue. Water violently ejected in a fine spray
and in a dark chamber where the sun beams are admitted produces
these blue rays and the more vividly if it is distilled water, and
thin smoke looks blue. This I mention in order to show that the
blueness of the atmosphere is caused by the darkness beyond it, and
these instances are given for those who cannot confirm my experience
on Monboso.
302.
When the smoke from dry wood is seen between the eye of the
spectator and some dark space [or object], it will look blue. Thus
the sky looks blue by reason of the darkness beyond it. And if you
look towards the horizon of the sky, you will see the atmosphere is
not blue, and this is caused by its density. And thus at each
degree, as you raise your eyes above the horizon up to the sky over
your head, you will see the atmosphere look darker [blue] and this
is because a smaller density of air lies between your eye and the
[outer] darkness. And if you go to the top of a high mountain the
sky will look proportionately darker above you as the atmosphere
becomes rarer between you and the [outer] darkness; and this will be
more visible at each degree of increasing height till at last we
should find darkness.
That smoke will look bluest which rises from the driest wood and
which is nearest to the fire and is seen against the darkest
background, and with the sunlight upon it.
303.
Public-domain text, read in full here on John Shaqi.
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