[Footnote: At _S_, in the original is the word _Sole_ (sun) and at _N parte di nuvolo_ (the side of the clouds).] 459. When the sun is covered by clouds, objects are less conspicuous, because there is little difference between the light and shade of the trees and of the buildings being illuminated by the brightness of the atmosphere which surrounds the objects in such a way that the shadows are few, and these few fade away so that their outline is lost in haze. 460. OF TREES AND LIGHTS ON THEM. The best method of practice in representing country scenes, or I should say landscapes with their trees, is to choose them so that the sun is covered with clouds so that the landscape receives an universal light and not the direct light of the sun, which makes the shadows sharp and too strongly different from the lights. 461. OF PAINTING. In landscapes which represent [a scene in] winter. The mountains should not be shown blue, as we see in the mountains in the summer. And this is proved [Footnote 5. 6.: _Per la_ 4_a di questo_. It is impossible to ascertain what this quotation refers to. _Questo_ certainly does not mean the MS. in hand, nor any other now known to us. The same remark applies to the phrase in line 15: _per la_ 2_a di questo_.] in the 4th of this which says: Among mountains seen from a great distance those will look of the bluest colour which are in themselves the darkest; hence, when the trees are stripped of their leaves, they will show a bluer tinge which will be in itself darker; therefore, when the trees have lost their leaves they will look of a gray colour, while, with their leaves, they are green, and in proportion as the green is darker than the grey hue the green will be of a bluer tinge than the gray. Also by the 2nd of this: The shadows of trees covered with leaves are darker than the shadows of those trees which have lost their leaves in proportion as the trees covered with leaves are denser than those without leaves--and thus my meaning is proved. The definition of the blue colour of the atmosphere explains why the landscape is bluer in the summer than in the winter. 462. OF PAINTING IN A LANDSCAPE.