The O'Donoghue: Tale of Ireland Fifty Years AgoLever, Charles
General
The O'Donoghue: Tale of Ireland Fifty Years Ago
Lever, Charles
Ireland -- Fiction
While Kate O'Donoghue was thus pondering over the characters of those
with whom she was now to live, they, on the other hand, were exerting
themselves to the utmost to restore some semblance of its ancient
comfort to the long-neglected dwelling. A blazing fire of bog deal was
lighted in the old hall, whose mellow glare glanced along the dark oak
wainscot, and threw a rich glow along the corridor itself, to the very
door of the tower. In the great chamber, where they sat, many articles
of furniture, long disused and half forgotten, were now collected,
giving, even by their number, a look of increased comfort to the
roomy apartment. Nor were such articles of ornament as they possessed
forgotten. The few pictures which had escaped the wreck of damp and time
were placed upon the walls, and a small miniature of Kate, as a child--a
poor performance enough--was hung up over the chimney, as it were
to honour her, whose presence these humble preparations were made
to celebrate. Sir Archy, too, as eager in these arrangements as Mark
himself, had brought several books and illustrated volumes from his
chamber to scatter upon the tables; while, as if for a shrine for the
deity of the place, a little table of most elaborate marquetrie, and
a richly-carved chair beside the fire, designated the place Kate was to
occupy as her own, and to mark which, he had culled the very gems of his
collection.
It is scarcely possible to conceive, how completely even a few trifling
objects like these can change the “morale” of a chamber--how that,
which before seemed cumbrous, sad, and dispiriting, becomes at once
lightsome and pleasant-looking. But so it is: the things which speak of
human thought and feeling appeal to a very different sense from those
which merely minister to material comfort; and we accept the presence of
a single book, a print, or drawing, as an evidence that mental aliment
has not been forgotten.
If the changes here spoken of gave a very different air and seeming
to the old tower, Kate's own presence there completed the magic of the
transformation. Dressed in black silk, and wearing a profusion of lace
of the same colour--for her costume had been adapted to a very different
sphere--she took her place in the family circle, diffusing around her
a look of refinement and elegance, and making of that sombre chamber
a spacious “salon.” Her guitar, her embroidery, her old-fashioned
writing-desk, inlaid with silver, caught the eye as it wandered about
the room, and told of womanly graces and accomplishments, so foreign to
the rude emblems of the chase and the field, henceforth to be banished
to the old entrance hall.
Public-domain text, read in full here on John Shaqi.
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