Dick, entering at the door at the platform end of the building instead of
passing straight up through the crowd as was his custom, was aware of a
curious influence at work from the first moment--an influence adverse if
not directly hostile that reached him he knew not how. He heard a vague
murmur as Juliet and Saltash followed him, and sharply he turned and drew
Juliet to his side. In that instant he realized that she was the only
woman in the place.
He faced the crowd, his hand upon her arm. "Well, men," he said, his
words clean-cut and ready, "so you've left your wives behind, have
you? I on the contrary have brought mine, and she has promised to give
you a song."
The mutter died. Some youths at the back started applause, which spread,
though somewhat half-heartedly, through the crowd, and for a space the
ugly feeling died down.
"We'll get to business," said Dick, and took out his banjo.
The concert began, Ashcott came up on to the platform and under cover of
Dick's jangling ragtime spoke in a low voice and urgently to Saltash.
The latter heard him with a laugh and a careless grimace, but a little
later he leaned towards Juliet who sat behind the table and touched her
unobtrusively. She looked round at him almost with reluctance, and he
whispered to her in rapid French.
She listened to him with raised brows, and then shook her head with a
smile. "No, of course not! I am going to sing to them directly. I am here
to help--not to make things worse."
He shrugged his shoulders and said no more. In a few minutes Dick's
cheery banjo thrummed into silence and he turned round.
"Are you ready?" he said to Juliet.
She rose and came forward, tall and graceful, bearing the unmistakable
stamp of high-breeding in every delicate movement. She might have been on
the platform of a London concert-hall as she faced her audience under the
shadowing hat.
They stared at her open-mouthed, spellbound, awed by the quiet dignity of
her. And in the hush that fell before her, Juliet began to sing.
Her voice was low, highly trained, exquisitely soft. She sang an old
English ballad with a throbbing sweetness that held her hearers with its
charm. And behind her Dick leaned against the table with his banjo and
very softly accompanied her.
His face was in shadow also as he bent over the instrument. Not once
throughout the song did he look up.
When she ended, there came that involuntary pause which is the highest
tribute that can be paid by any audience, and then such a thunder of
applause as shook the building. Saltash stepped forward to hand her back
to her chair, but the men in front of her yelled so hoarse a protest
that, laughing, he retired.
Public-domain text, read in full here on John Shaqi.
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