Racially mixed people -- Fiction; Slavery -- Louisiana -- History -- 19th century -- Fiction
The light of this lamp flashed upon the face of the planter as they
drove rapidly by.
Brief as the moment was, Camillia fancied she detected a smile of
triumph upon the countenance of Augustus Horton.
A thrill of horror crept through her veins as she thought that perhaps
this alarm about her father was some vile subterfuge of her rejected
lover.
She had often heard--heard with a careless and unheeding ear, of deeds
of darkness done in the city of her birth.
She knew that the wealthy members of New Orleans society were not over
scrupulous in their gratification of their viler passions--and she
trembled as she thought of her helplessness--but she had the brave
spirit of her father's race, and she had sufficient presence of mind to
conceal her terror.
She determined upon testing her companion.
"Why did not my father send his own carriage for me?" she asked.
"Because Don Juan was not taken ill at the Villa Moraquitos. He was
attacked in a gaming-house at the other end of the city, and it is
thither I'm taking you."
"My father stricken with illness in a gaming-house!" said Camillia. "My
father a gambler?"
"Ay, that surprises you no doubt. There are many secrets in this city
of ours, Donna Camillia, and your father knows how to keep his. It
was to avoid all scandal that I brought you away from the Opera-House
by a species of stratagem. It would not have done for that brilliant
assembly to know whither I was bringing you."
"It is to some infamous haunt then?" said Camillia.
"All vices are infamous," answered the planter. "It is to the haunt of
the rich and idle--the aristocratic and dissipated. But perhaps your
womanly nature shrinks from this ordeal. If it be so, I will drive you
home without delay. There is no absolute necessity for your seeing your
father to-night. To-morrow he may be well enough to return to the Villa
Moraquitos, and in the meantime I do not think there is any serious
danger."
These last words were uttered slowly and hesitatingly, as if the
speaker felt them to be untrue, and only spoke them in the desire to
comfort his companion.
Camillia's suspicions were completely dispelled.
"You do not think he is in danger?" she exclaimed. "Can you imagine
Camillia Moraquitos so poor a coward as to shrink from visiting her
beloved father because he lies in a gambling-house? Had he been
stricken in the most infamous den in New Orleans, I would enter it
alone to comfort and succor him."
Had there been a lamp near to illumine the planter's face at this
moment, Camillia might have again beheld the triumphant smile which had
before alarmed her.
Five minutes after this the carriage stopped at a low door, in a dark
but highly respectable-looking street.
The negro coachman kept his seat, but Augustus sprang on to the
pavement and handed Camillia out of the vehicle.
The door before which they had stopped appeared to be closed so
securely as to defy all the burglars in New Orleans.
Public-domain text, read in full here on John Shaqi.
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