‘Ha, ha, what charming simplicity!’ cried Maurice, laughing heartily.
‘Still the same honest, excellent, innocent Waldau.--I a courtier, I
a favourite! this is indeed an everlasting joke. Know, then, my poor
credulous friend, that I am a member of a strolling company who are
engaged to play in the hotel of the Count of Felsenbourg. I played
yesterday the part of the _Confidante_, in the new piece; and the little
man in black, of whom you speak, is the head tailor, who had just
been fitting me with a coat of scarlet serge, covered with tinsel and
spangles, and to which habit I am indebted for the respect with which
you have overwhelmed me.’
‘God bless me!’ cried Waldau, ‘and are you then a player?’
‘A player, it is true, but of the prince’s company; and, I swear to you,
vanity apart, not one of the worst.’
‘Then am I ruined--totally undone,’ ejaculated the town-clerk; ‘the
councillor will certainly kill me.’
Maurice ceased to laugh when he saw the terror of Waldau. He soon saw
his brother’s letter, which lay upon the table, and, opening it, found
not only that Pierre was still the same, but that his last hope--the
share of his father’s fortune--was for ever gone. He was burdened
with debts, the payment of which could no longer be postponed. ‘Ah! my
Louisa--ah, my promised happiness--farewell,’ cried he, mournfully.
This Louisa, of whom Maurice spoke, was the preserving angel of an
infirm mother and two sisters, for whom she procured, by her own
exertions, the necessaries of life. The obscure chamber which they
occupied was near that of the player; and they frequently saw each
other, and the innocence of the young girl, her simple candour, and the
boyish good temper of Maurice, soon gave rise to a tender and reciprocal
feeling. Poverty has at least this good effect, that it breaks down
some of those obstacles which beset the more exalted ranks. Wiesel soon
became the assiduous and indispensable friend of the family. Louisa,
daily more attracted by his amiable character, and charmed by the
frankness with which he expressed his affection, did not seek to conceal
that she loved him. The deplorable condition of their fortunes alone
stood in the way of their union they swore eternal constancy, and
resolved to wait for better times; but the letter of Pierre seemed to
make that time more distant than ever.
Maurice is obliged to quit the sick man to go to the theatre, and an old
woman comes to take his place. The weather is excessively severe, and
Waldau requests him to put on the old cloak which his brother has sent,
and in which, he adds, ‘Your father breathed his last.’ Maurice seizes
it, and, kissing it respectfully, goes out.
Public-domain text, read in full here on John Shaqi.
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