The old woman seemed to comprehend what was passing in his mind. ‘I see
what you think,’ said she; ‘but why, Mr. Giddybrain, did you despise
my advice? why did you so easily abandon this precious cloak? Did I not
find it one fine day hanging up before the shop of my neighbour, the old
clothesman, who told me he bought it of a porter? and what would become
of the bills for twenty thousand florins which are sewed up in it, if
I had not bought them at the exorbitant price of three silver pieces?
There, take your own; keep it more safely for the future, and thank
heaven for having preserved the life of your father’s nurse.’
Maurice embraces the old woman, who receives the praises and thanks
of every body present. ‘Well, children,’ said she, ‘since you are all
happy, you must find some little corner among you for me, where I may
end my days in peace.’
‘O, yes!’ said Marie, with warmth, ‘you shall never quit us.’
A few days afterwards you might have thought that the old woman had
never quitted the ancient dwelling, so much did the two families seem
to look upon her as a mother. Their happiness was such as springs from
humble virtue. Piety, innocence, and gentleness, adorned their lives,
and their days had passed in an uniform and peaceable manner, when,
about a year after the return of the old nurse, she appeared one morning
before Maurice in the same attitude as on the day of his marriage,
and covered with the same old cloak. He offered to embrace her, but,
repulsing him, ‘Gently,’ said she, ‘take care.’--‘Do you bring me
another treasure, then, my good mother?’ She smiled as she opened the
cloak;--it was a son, which his Louisa had just given him.
[LES MANTEAUX.]
[Illustration: 347]
A COMICAL ADVENTURE.
As a sort of proëmium to the relation of the following adventure, I
must preadmonish my readers, that I have always entertained a monstrous
aversion to being roused from a comfortable sleep, by the appalling cry
of “murder.” Heaven defend us! the very thought of such matters, even in
broad day-light, causes a queer sensation about one’s throat and fifth
rib: but at the solemn hour of midnight,--“just as the clock strikes
twelve,”--when the winds are howling, and casements creaking, with
all the other paraphernalia of a portentous night (vide ‘Mysteries of
Udolpho’)--oh! it festers up the faculties, and acts as a scare-crow
to the senses. Having premised thus much, and not in the least doubting
that I have touched a sympathetic string in every bosom, I will
forthwith proceed to relate my adventure.
Public-domain text, read in full here on John Shaqi.
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