"Well," said Mr. Alloyd curtly, with a sardonic smile, "they’ve
telephoned me all about it. I’ve seen Mr. Wrissell. Just my luck! So
you’re the man! He pointed you out to me this morning. My design for
that church would have knocked the West End! Of course Mr. Wrissell
will pay me compensation, but that’s not the same thing. I wanted the
advertisement of the building.... Just my luck! Have a drink, will
you?"
Edward Henry ultimately went with the plaintive Mr. Alloyd to his rooms
in Adelphi Terrace. He quitted those rooms at something after two
o’clock in the morning. He had practically given Mr. Alloyd a definite
commission to design the Regent Theatre. Already he was practically the
proprietor of a first-class theatre in the West End of London!
"I wonder whether Master Seven Sachs could have bettered my day’s work
to-day!" he reflected as he got into a taxicab. He had dismissed his
electric brougham earlier in the evening. "I doubt if even Master Seven
Sachs himself wouldn’t be proud of my little scheme in Eaton Square!"
said he.... "Wilkins’s Hotel, please, driver."
THE OLD ADAM
PART II
CHAPTER VII
CORNER-STONE
I.
On a morning in spring Edward Henry got out of an express at Euston,
which had come, not from the Five Towns, but from Birmingham. Having on
the previous day been called to Birmingham on local and profitable
business, he had found it convenient to spend the night there and
telegraph home that London had summoned him. It was in this
unostentatious, this half-furtive fashion, that his visits to London now
usually occurred. Not that he was afraid of his wife! Not that he was
afraid even of his mother! Oh, no! He was merely rather afraid of
himself,--of his own opinion concerning the metropolitan, non-local,
speculative, and perhaps unprofitable business to which he was
committed. The fact was that he could scarcely look his women in the
face when he mentioned London. He spoke vaguely of "real estate"
enterprise, and left it at that. The women made no enquiries; they too,
left it at that. Nevertheless....
Public-domain text, read in full here on John Shaqi.
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