Then the commissionaires at the entrance seemed to start into life. And
then suddenly several preoccupied men strode rapidly out of the theatre,
buttoning their coats, and vanished, phantom-like. Critics, on their way
to destruction!
The performance must be finishing. Hastily he followed in the direction
taken by Elsie April.
He was in the wings, on the prompt side. Close by stood the prompter,
an untidy youth with imperfections of teeth, clutching hard at the
red-scored manuscript of "The Orient Pearl." Sundry players, of varying
stellar degrees, were posed around in the opulent costumes designed by
Saracen Givington, A.R.A. Miss Lindop was in the background,
ecstatically happy, her cheeks a race-course of tears. Afar off, in the
centre of the stage, alone, stood Rose Euclid, gorgeous in green and
silver, bowing and bowing and bowing--bowing before the storm of
approval and acclamation that swept from the auditorium across the
footlights.
With a sound like that of tearing silk, or of a gigantic contralto
mosquito, the curtain swished down, and swished up, and swished down
again. Bouquets flew on to the stage from the auditorium (a custom
newly imported from the United States by Miss Euclid, and encouraged by
her, though contrary to the lofty canons of London taste). The actress
already held one huge trophy, shaped as a crown, to her breast. She
hesitated, and then ran to the wings, and caught Edward Henry by the
wrist impulsively, madly. They shook hands in an ecstasy. It was as
though they recognised in one another a fundamental and glorious worth;
it was as though no words could ever express the depth of appreciation,
affection and admiration which each intensely felt for the other; it was
as though this moment were the final consecration of twin lives whose
long, loyal comradeship had never been clouded by the faintest breath of
mutual suspicion. Rose Euclid was still the unparalleled star, the
image of grace and beauty and dominance upon the stage. And yet quite
clearly Edward Henry saw close to his the wrinkled, damaged, daubed face
and thin neck of an old woman; and it made no difference.
"Rose!" cried a strained voice, and Rose Euclid wrenched herself from
him and tumbled with half a sob into the clasping arms of Elsie April.
"You’ve saved the intellectual theatah for London, my boy! That’s what
you’ve done!" Marrier was now gripping his hand. And Edward Henry was
convinced that he had.
The strident vigour of the applause showed no diminution. And through
the thick heavy rain of it could be heard the monotonous insistent
detonations of one syllable:
"’Thor! ’Thor! ’Thor! Thor! Thor!"
And then another syllable was added:
"Speech! Speech! Speech! Speech!"
Mechanically Edward Henry lit a cigarette. He had no consciousness of
doing so.
"Where is Trent?" people were asking.
Carlo Trent appeared up a staircase at the back of the stage.
Public-domain text, read in full here on John Shaqi.
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