After these three words the composition of the letter came to a pause.
What was he going to tell Nellie? He assuredly was not going to tell
her that he had engaged an unpriced suite at Wilkins’s. He was not
going to mention Wilkins’s. Then he intelligently perceived that the
note-paper and also the envelope mentioned Wilkins’s in no ambiguous
manner. He tore up the sheet and searched for plain paper. Now, on the
desk there was the ordinary hotel stationery, mourning stationery,
cards, letter-cards, and envelopes for every mood; but not a piece that
was not embossed with the historic name in royal blue. The which
appeared to Edward Henry to point to a defect of foresight on the part
of Wilkins’s. At the gigantic political club to which he belonged, and
which he had occasionally visited in order to demonstrate to himself and
others that he was a club-man, plain stationery was everywhere provided
for the use of husbands with a taste for reticence. Why not at
Wilkins’s also?
On the other hand, why should he not write to his wife on Wilkins’s
paper? Was he afraid of his wife? He was not. Would not the news
ultimately reach Bursley that he had stayed at Wilkins’s? It would.
Nevertheless, he could not find the courage to write to Nellie on
Wilkins’s paper.
He looked around. He was fearfully alone. He wanted the companionship,
were it only momentary, of something human. He decided to have a look
at a flunkey, and he rang a bell.
Immediately, just as though wafted thither on a magic carpet, from the
court of Austria, a gentleman in waiting arrived in the doorway of the
drawing-room, planted himself gracefully on his black silk calves, and
bowed.
"I want some plain note-paper, please."
"Very good, sir." Oh! Perfection of tone and of mien!
Three minutes later the plain note-paper and envelopes were being
presented to Edward Henry on a salver. As he took them, he looked
enquiringly at the gentleman in waiting, who supported his gaze with an
impenetrable, invulnerable servility. Edward Henry, beaten off with
great loss, thought: "There’s nothing doing here just now in the human
companionship line," and assumed the mask of a hereditary prince.
The black calves carried away their immaculate living burden, set above
all earthly ties.
He wrote nicely to Nellie about the weather and the journey, and
informed her also that London seemed as full as ever, and that he might
go to the theatre, but he wasn’t sure. He dated the letter from the
Majestic.
Public-domain text, read in full here on John Shaqi.
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