Edward Henry sat down on one of the beds by the hook on which hung the
telephone. And he cogitated upon the characteristics of certain members
of the party which he had just left. "I’m a ’virgin mind,’ am I?" he
thought. "I’m a ’clean slate’? Well! ... Their notion of business is
to begin by discussing the name of the theatre! And they haven’t even
taken up the option! Ye gods! ’Intellectual!’ ’Muses!’ ’The Orient
Pearl.’ And she’s fifty--that I swear! Not a word yet of real
business--not one word! He may be a poet. I dare say he is. He’s a
conceited ass. Why, even Bryany was better than that lot. Only Sachs
turned Bryany out. I like Sachs. But he won’t open his mouth....
’Capitalist!’ Well, they spoilt my appetite, and I hate champagne! ...
The poet hates money.... No, he ’hates the thought of money.’ And
she’s changing her mind the whole blessed time! A month ago she’d have
gone over to Pilgrim, and the poet too, like a house a fire! ...
Photographed indeed! The bally photographer will be here in a minute!
... They take me for a fool! ... Or don’t they know any better? ...
Anyhow, I am a fool.... I must teach ’em summat!"
He seized the telephone.
"Hello!" he said into it. "I want you to put me on to the drawing-room
of Suite No. 48, please. Who? Oh, me! I’m in the bedroom of Suite No.
48. Machin, Alderman Machin. Thanks. That’s all right."
He waited. Then he heard Marrier’s Kensingtonian voice in the
telephone, asking who he was.
"Is that Mr. Machin’s room?" he continued, imitating with a broad
farcical effect the acute Kensingtonianism of Mr. Marrier’s tones. "Is
Miss Ra-ose Euclid there? Oh! She is? Well, you tell her that Sir
John Pilgrim’s private secretary wishes to speak to her. Thanks. All
right. _I’ll_ hold the line."
A pause. Then he heard Rose’s voice in the telephone, and he resumed:
"Miss Euclid? Yes. Sir John Pilgrim. I beg pardon! Banks? Oh,
_Banks_! No, I’m not Banks. I suppose you mean my predecessor. He’s
left. Left last week. No, I don’t know why. Sir John instructs me to
ask if you and Mr. Trent could lunch with him to-morrow at wun-thirty?
What? Oh! At his house. Yes. I mean flat. Flat! I said flat. You
think you could?"
Pause. He could hear her calling to Carlo Trent.
"Thanks. No, I don’t know exactly," he went on again. "But I know the
arrangement with Miss Pryde is broken off. And Sir John wants a play at
once. He told me that. At once! Yes. ’The Orient Pearl.’ That was
the title. At the Royal first, and then the world’s tour. Fifteen
months at least, in all, so I gathered. Of course I don’t speak
officially. Well, many thanks. Saoo good of you. I’ll tell Sir John
it’s arranged. One-thirty to-morrow. Good-bye!"
He hung up the telephone. The excited, eager, effusive tones of Rose
Euclid remained in his ears. Aware of a strange phenomenon on his
forehead, he touched it. He was perspiring.
"I’ll teach ’em a thing or two," he muttered.
Public-domain text, read in full here on John Shaqi.
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