On a certain day in the year 1843, the Count de l’Escalopier, a
scion of the old régime of France, and a great lover of curios,
was strolling along the Rue de Vendôme, in the Marais Quarter, of
Paris. He stopped to look at some mechanical toys displayed in the
window of a dark little shop, over the door of which was painted the
following modest sign: “M. Robert-Houdin, Pendules de Précision.”
This sign noted the fact that the proprietor was a watchmaker,
and that his wares were distinguished for precise running. What
particularly attracted the nobleman’s attention was a peculiar
looking clock of clearest crystal that ran apparently without works,
the invention of M. Robert-Houdin. The Count, who was a great lover
of _science amusante_, or science wedded to recreation, purchased
the magic clock, and better than that, made the acquaintance of the
inventor, the obscure watchmaker, who was destined to become a great
prestidigitateur, author, and ambassador. The Count became a frequent
visitor at Houdin’s shop, to watch the construction of various
automata, which the inventor intended some day to use in public
performances. Says Houdin: “A kind of intimacy having thus become
established between M. de l’Escalopier and myself, I was naturally
led to talk to him of my projects of appearing in public; and, in
order to justify them, I had given him, on more than one occasion,
specimens of my skill in sleight of hand. Prompted doubtless by his
friendly feelings, my spectator steadily applauded me, and gave me
the warmest encouragement to put my schemes into actual practice.
Count de l’Escalopier, who was the {126} possessor of a considerable
fortune, lived in one of those splendid houses which surround the
square which has been called _Royale_, or _des Vosges_, according
to the color of the flag of our masters of the time being. I myself
lived in a humble lodging in the Rue de Vendôme, in the Marais, but
the wide disproportion in the style of our respective dwelling-places
did not prevent the nobleman and the artist from addressing each
other as ‘my dear neighbor,’ or sometimes even as ‘my dear friend.’
[Illustration: Houdin’s Magic Clock.[21]]
Public-domain text, read in full here on John Shaqi.
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