magician than the latter slipped one hand from its lashings and tapped the skeptic on the shoulder. “If you have two of my hands tied behind my back,” said Kellar, “I must have been royally endowed by Nature with a third hand.” Thunders of applause greeted the scene. Even ladies rose from their seats and cheered. “Bravo, Kellar!” was heard on all sides. The old gentleman joined in the demonstration, and acknowledged himself beaten. This episode caused so great a sensation in Washington that two more Sunday evening lectures were given to crowded houses, and Kellar was enabled to pay his debts and get out of town. It is now pretty well known to conjurers that the Davenports accomplished their feats by secretly taking up slack in the rope while it was being tied, thereby getting a loop hole in the bonds through which to work one hand loose. Frequently they cut the cords with knives secreted up their sleeves, and after the alleged spirit manifestations were gone through with, exchanged the cut ropes for genuine ones, and came out of the cabinet with these, making the spectators believe that some occult agency had freed them from the knots. There is a conjurer named Joad Heteb who claims to have dropped from the eye of the Sphinx in the form of a tear, and was immediately metamorphosed into the Wizard of the Pyramids. According to his account the spirits of the sorcerers and soothsayers of the olden Pharaohs left their rock-cut tombs and painted mummy-cases to be present at the event. Joad Heteb has a clever press-agent. If Joad fell from the Sphinx’s eye in the shape of a tear, Kellar must have dropped from the fabled monster’s mouth in the form of a _word_, and that word “Mystery.” Kellar is ably assisted by Herr Valadon, an Anglo-German professor of legerdemain, formerly of Egyptian Hall, London. Valadon, upon his entrance on the stage, takes off his gloves, vanishes them, by apparently throwing {251} them in the air, whereupon a white dove flutters upwards. It is a very pretty effect. [Illustration: X-RAY PHOTOGRAPH OF KELLAR’S HAND. (In Possession of Mr. Francis J. Martinka, New York.)] {252} I give one of Kellar’s programmes (Proctor’s Theatre, New York City, September, 1904): KELLAR THE PEERLESS MAGICIAN. Special Engagement of PAUL VALADON From England’s Home of Mystery, the Egyptian Hall, London. Tour under the management of DUDLEY MCADOW. FIRST PART. KELLAR In a series of original experiments in pure sleight of hand, thoroughly up to date. A display of marvelous digital dexterity, surpassing anything heretofore achieved in the field of magic. Novel, unique, original, including: OLD GLORY, THE DYEING ENIGMA, AND THE GREAT HYPNOTIC SCENE, The Levitation of Princess Karnac